11th century Italy

11th century Italy
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1mo
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Vika Bershadskaya
details of the floor The traditional mosaic panels mainly portray fantastic or exotic animals which apparently do not seem to have any religious content. The area covered with the new method was designed around a central round slab of coloured marble. Eventually this pattern developed into what art historians call opus alexandrinum or Cosmati work, which is characterized by large porphyry discs.
details of the floor.The traditional mosaic panels mainly portray fantastic or exotic animals which apparently do not seem to have any religious content. The area covered with the new method was designed around a central round slab of coloured marble. Eventually this pattern developed into what art historians call opus alexandrinum or Cosmati work, which is characterized by large porphyry discs.
Abbazia di Pomposa.Codigoro. Ferrara. In 981 it passed to the monastery of San Salvatore in Pavia,and 18 years later it was under the jurisdiction of the Archdiocese of Ravenna,freeing it later and enjoying, thanks to private donations,a period of great flowering.The abbey was consecrated in 1026 (then built before) by Abbot Guido. At the basilica the magister Mazulo added in those years a narthex with three large arches.

Abbazia di Pomposa Codigoro Ferrara

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San Liberatore a Maiella is an abbey and church in Serramonacesca,Pescara,Abruzzo Italy.The origin of the abbey is traditionally linked to Charlemagne,who is portrayed in a fresco fragment within the church.The 9th cent.edifice was rebuilt a first time from 1007 by the Benedictine monk St. Theobald. It is dedicated to St.Liberator.The current edifice,however,is that rebuilt starting from 1080 by Desiderius,abbot of Montecassino.
San Liberatore a Maiella is an abbey and church in Serramonacesca,Pescara,Abruzzo Italy.The origin of the abbey is traditionally linked to Charlemagne,who is portrayed in a fresco fragment within the church.The 9th cent.edifice was rebuilt a first time from 1007 by the Benedictine monk St. Theobald. In particolare l'architrave presenta uno degli esempi più vecchi di fiori in altorilievo, caratteristici della scultura abruzzese.
San Liberatore a Maiella is an abbey and church in Serramonacesca,Pescara,Abruzzo Italy.The origin of the abbey is traditionally linked to Charlemagne,who is portrayed in a fresco fragment within the church.The 9th cent.edifice was rebuilt a first time from 1007 by the Benedictine monk St. Theobald. It is dedicated to St.Liberator.The current edifice,however,is that rebuilt starting from 1080 by Desiderius,abbot of Montecassino.

1007-1071 Abruzzo Abbazia di San Liberatore a Majella Serramonacesca

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1021-31 ca.Aquileia Cathedral is a flat-roofed basilica erected by Patriarch Poppo in 1031 on the site of an earlier church,and rebuilt about 1379 in the Gothic style by Patriarch Marquard of Randeck. The façade, in Romanesque-Gothic style,is connected by a portico to the so-called Church of the Pagans,and the remains of the 5th-c.baptistry.Fresco decoration belongs to various ages: from the 4th c.in the St. Peter's chapel of the apse area;from the 11th century in the apse itself
Aquileia Cathedral is a flat-roofed basilica erected by Patriarch Poppo in 1031 on the site of an earlier church,and rebuilt about 1379 in the Gothic style by Patriarch Marquard of Randeck. The façade,in Romanesque-Gothic style,is connected by a portico to the so-called Church of the Pagans,and the remains of the 5th-c. baptistry. The interior has a nave and two aisles,with a noteworthy mosaic pavement from the 4th c.Epoca del vescovo Popone, 1021-31 ca. Crypt.
Aquileia Cathedral is a flat-roofed basilica erected by Patriarch Poppo in 1031 on the site of an earlier church,and rebuilt about 1379 in the Gothic style by Patriarch Marquard of Randeck. The façade,in Romanesque-Gothic style,is connected by a portico to the so-called Church of the Pagans,and the remains of the 5th-c. baptistry. The interior has a nave and two aisles,with a noteworthy mosaic pavement from the 4th c.Epoca del vescovo popone, 1021-31 ca. Crypt.

Aquileia Cathedral Basilica di Santa Maria Assunta

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Bisceglie, cattedrale, protiro, gruppo scultoreo di vertice: il capro artigliato dall’aquila Il diavolo in mutande: metafora giudiziale ed enciclopedismo sul portale della cattedrale di Bisceglie [2018] | Valentino Pace - Academia.edu
Paolo Monti (Bisceglie, 1970)Peter II of Trani began to build the cathedral in 1073,which he dedicated to his namesake, Saint Peter.Building was completed in 1295. Western facade was rebuilt in the Baroque era;the traditional rose is replaced by a large pear-shaped window. All three portals are Romanesque.
Paolo Monti (Bisceglie, 1970) Peter II of Trani began to build the cathedral in 1073, which he dedicated to his namesake, Saint Peter.Building was completed in 1295. Western facade was rebuilt in the Baroque era;the traditional rose is replaced by a large pear-shaped window. All three portals are Romanesque.

Bisceglie Cattedrale di San Pietro Apulia 11th-12th

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Cathedral (Bitetto) Puglia.Paolo Monti (1970) Maestro Lillo da Barletta.Built in the 11th c. (1026-89), it is one of the purest examples of Apulian Romanesque. The numerous renovations carried out over the centuries have led to the expansion of the building:the main body in Romanesque style (rebuilt in 1335), in fact,were flanked two side chapels dedicated to the Blessed Sacrament (right) and Purgatory (left). The cathedral is also decorated with a baroque bell tower.
Bitetto.Cattedrale di San Michele Arcangelo Puglia Cathedral, Bitetto,Italy Paolo Monti (1970) Built in the 11th c. (1026-89), it is one of the purest examples of Apulian Romanesque. The numerous renovations carried out over the centuries have led to the expansion of the building: the main body in Romanesque style (rebuilt in 1335), in fact,were flanked two side chapels dedicated to the Blessed Sacrament (right) and Purgatory (left). The cathedral is also decorated with a baroque bell tower.
Cathedral (Bitetto) Puglia.Maestro Lillo da Barletta. Built in the 11th c.(1026-89),it is one of the purest examples of Apulian Romanesque. The numerous renovations carried out over the centuries have led to the expansion of the building:the main body in Romanesque style (rebuilt in 1335), in fact,were flanked two side chapels dedicated to the Blessed Sacrament (right) and Purgatory (left). The cathedral is also decorated with a baroque bell tower.

Bitetto Cattedrale di San Michele Arcangelo. Puglia. 11th-12th

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Christ Pantocrator.Abbazia di Sant'Angelo in Formis.Capua, Campania Italy.1072-87. 1st building-6th c. by the Lombards.In 1072 the abbot Desiderio of Montecassino(future Pope Victor III) decided to rebuild the basilica while respecting the architectural elements of pagan origin.To him we owe the frescoes of Bizantino-campana School that decorate the interior-one of the best preserved pictorial cycles of that era in southern Italy. by kristobalite
c.1080 Abbey of Sant'Angelo in Formis. Capua, Caserta, Campania, Italy.1072-87. 1st building-6th c. by the Lombards.In 1072 the abbot Desiderio of Montecassino (future Pope Victor III) decided to rebuild the basilica while respecting the architectural elements of pagan origin.To him we owe the frescoes of Bizantino-campana School that decorate the interior-one of the best preserved pictorial cycles of that era in southern Italy.photo by kristobalite
c.1080 Abbey of Sant'Angelo in Formis. Capua, Caserta, Campania, Italy.1072-87. 1st building-6th c. by the Lombards.In 1072 the abbot Desiderio of Montecassino (future Pope Victor III) decided to rebuild the basilica while respecting the architectural elements of pagan origin.To him we owe the frescoes of Bizantino-campana School that decorate the interior-one of the best preserved pictorial cycles of that era in southern Italy.photo by kristobalite

Capua Abbazia di Sant'Angelo in Formis

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Cappella delle reliquie di San Giovanni Gualberto Passignano, 1593-94
Peter Igneus.Scuola toscana, 1590 ca.da s. giorgio alla costa. Museo del Cenacolo di Andrea del Sarto.Blessed Pietro Igneo (died 11 Nov.1089) was an Italian Roman Catholic Benedictine monk from the Vallombrosians branch. He also served as a cardinal and was named as the Cardinal-Bishop of Albano upon his elevation to the cardinalate. He is often referred to as a member of the Aldobrandini house but this familiar denomination is not attested in sources as a fact.
San Giovanni Gualberto's Tomb.Museo del Cenacolo di Andrea del Sarto.San Salvi museum,work by Benedetto da Rovezzano, Florence, Italy.parasta con decorazioni a rilievo.

Clergy 11th century Italy

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1027-95 Basilica of Sant'Abbondio Saint Abundius of Como. Como, Lombardy, Italy The basilica acted as bishop's seat until 1007.Six years later bishop Alberic moved the seat within the walls.The basilica was then entrusted to the Benedictines who, betw.1050 and 1095,rebuilt it in Romanesque style.a Romanesque structure consecrated in 1095 by Pope Urban II.
1027-95 Basilica of Sant'Abbondio Saint Abundius of Como. Como, Lombardy, Italy The basilica acted as bishop's seat until 1007.Six years later bishop Alberic moved the seat within the walls.The basilica was then entrusted to the Benedictines who, betw.1050 and 1095,rebuilt it in Romanesque style.a Romanesque structure consecrated in 1095 by Pope Urban II.
Basilica of Sant'Abbondio.Como,Lombardy, northern Italy.The basilica acted as bishop's seat until 1007.Six years later bishop Alberic moved the seat within the walls.The basilica was then entrusted to the Benedictines who,betw.1050 and 1095,rebuilt it in Romanesque style.a Romanesque structure consecrated in 1095 by Pope Urban II. The interior,with a nave and four aisles,contains paintings dating to the 11th c. and frescoes from the 14th.

Como Basilica of Sant'Abbondio Lombardy

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XI-XII s.Completamento-1379.Conversano. Basilica cattedrale di Santa Maria Assunta. Italia. Puglia.Paolo Monti (Conversano,1970) In Romanesque style, the building began between the eleventh and twelfth centuries, was renovated in 1358-1379 maintaining the original forms and then restored heavily first in the 18th century and then in 1911, as a result of a fire.
XI-XII s.Complet.-1379.Basilica cattedrale di Santa Maria Assunta. Italia.Puglia.Conversano. Paolo Monti (Conversano, 1970)In Romanesque style, the building began between the eleventh and twelfth centuries, was renovated in 1358-1379 maintaining the original forms and then restored heavily first in the 18th century and then in 1911, as a result of a fire.
XI-XII s.Completamento-1379. Conversano. Basilica cattedrale di Santa Maria Assunta. Italia. Puglia.Conversano porta principale della cattedrale xilografia di Barberis 1898.

Conversano Basilica cattedrale di Santa Maria Assunta XI-XII s 1379 Apulia

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XI-XII s.Chiesa di San Secondo,Cortazzone. Piemonte.dedicata a San Secondo d'Asti, patrono di Cortazzone.Risalente forse alla fine dell'XI s.
XI-XII s.Chiesa di San Secondo,Cortazzone. Piemonte.dedicata a San Secondo d'Asti, patrono di Cortazzone.Risalente forse alla fine dell'XI s.Archivolt and above it a frieze with shell motif (detail)
XI-XII s.Chiesa di San Secondo.Cortazzone. Piemonte.dedicata a San Secondo d'Asti, patrono di Cortazzone.Risalente forse alla fine dell'XI s.

Cortazzone Chiesa di San Secondo

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Lombard soldier in an 11th century Exultet Roll
Le fantassin Jeu d'échecs dit "de Charlemagne". Italie méridionale, fin du XIe siècle. Ivoire.Monnaies, Médailles et Antiques (Ivoire 323)

Daily 11th century Italy

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11th-c.Église de la Sainte-Trinité d'Aregno Haute-Corse,Corsica,France. Republic of Pisa. It is a Romanesque and Pisan-style,dedicated to the Holy Trinity and to John the Apostle.is located in the center of the cemetery, decorated with human and animal figures (including bears, oxen and snakes). One example is in the pinion in the vertical alignment of the door: it depicts a man removing a thorn from his foot; this is an allegory of knowledge and is fairly widespread in Romanesque buildings.
11th-c.Église de la Sainte-Trinité d'Aregno Haute-Corse,Corsica,France. Republic of Pisa. It is a Romanesque and Pisan-style,dedicated to the Holy Trinity and to John the Apostle.is located in the center of the cemetery, decorated with human and animal figures (including bears, oxen and snakes). One example is in the pinion in the vertical alignment of the door: it depicts a man removing a thorn from his foot; this is an allegory of knowledge and is fairly widespread in Romanesque buildings.

Dominions 11th century Italy

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XI s.-XIII s Abbazia di Santa Maria di Cerrate Lecce. Puglia Italia Beginning-XI century, completion-XIII century, porch, dating back to the XIII century. Of 1269 is the canopy placed above the High Altar. 13th and 14th century frescoes.
XI sec.-XIII sec.Lecce.Abbazia di Santa Maria di Cerrate. Puglia.Italia.affresco. Annunciation. detail.Beginning-XI century, completion-XIII century, porch, dating back to the XIII century. Of 1269 is the canopy placed above the High Altar. 13th and 14th century frescoes.
XI sec.-XIII sec.Lecce.Abbazia di Santa Maria di Cerrate.Puglia.Italia.affresco. Annunciation. Beginning-XI century, completion-XIII century, porch, dating back to the XIII century. Of 1269 is the canopy placed above the High Altar. 13th and 14th century frescoes.

Lecce Abbazia di Santa Maria di Cerrate Puglia

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c.1075 BL Add 30337 11. The Virgin and the Consecration of the candle. Monte Cassino Exultet Roll.Italy,S.(Monte Cassino) Latin.Beneventan minuscule. mm790 x 290 The roll is made of 12 membranes sewn together. Made at the Benedictine abbey, Monte Cassino under Abbot Desiderius (r. 1058-87). Освящение пасхальной свечи и чтение пасхального гимна("Cereus iste"). Богоматерь с младенцем Христом на троне (11); Италия. Монтекасси́но (Montecassino); XI в.; памятник: Exultet. (Add MS 30337 ); 29 x 79 см.
c.1075 BL Add 30337 2 Monte Cassino Exultet Roll.Italy, S.(Monte Cassino) Latin.Beneventan minuscule. mm790 x 290 The roll is made of 12 membranes sewn together. Made at the Benedictine abbey, Monte Cassino under Abbot Desiderius (r. 1058-87). "Возрадуйтесь же, хоры ангелов небесных!" ("Exultet iam angelica turba caelorum"), Инициал E(xultet). Начало молитвы на освящение пасхальной свечи.
c.1075 BL Add 30337 8. Adam and Eve and the Noli me tangere Monte Cassino Exultet Roll.Italy, S.(Monte Cassino) Latin. Beneventan minuscule. mm790 x 290 The roll is made of 12 membranes sewn together. Made at the Benedictine abbey, Monte Cassino under Abbot Desiderius (r. 1058-87). Явление воскрешего Христа Марии Магдалине. Грехопадение Адама и Евы ("O certe necessarium Ade peccatum"). (8); Италия. Монтекасси́но (Montecassino); XI в.; памятник: Exultet. (Add MS 30337 ); 29 x 79 см

Manuscripts 11th century Italy

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Guido van Arezzo source unknown, but apparently medieval.Italian monk, inventor of musical notaticulo.Хотя ни в одном из аутентичных трактатов Гвидо описания руки нет,музыкальные теоретики и историки(начиная с Сижбера из Жамблу, в хронике,написанной ок.1110) приписывали руку Гвидо Аретинскому, имея в виду, вероятно,не изобретение пособия как такового,а музыкально-теоретич.систему,на к-рой это пособие базируется.
Constantine the African examines patients' urine. Constantine the African (Latin: Constantinus Africanus) (c. 1020-1087) was an eleventh-century translator of Greek and Islamic medical texts, who joined the Schola Medica Salernitana.
990-1036.Teodaldo of Canossa (bishop) Medieval music.Guido of Arezzo.Guido d'Arezzo studying the monochord with Bishop Theobald.XIIe siècle. Codex Lat.51 f°35v XIe Vienne,Oesterreichische Nationalbibliothek Musiksammlung.Guy of Arezzo and bishop Tedaldo of Canossa.11th cent.

Masters 11th century Italy

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Явление Христа женам-мироносицам. Уверение Фомы. Антепендиум алтаря Кафедрального Собора в Салерно. 1090-1130;Италия. Амальфи (возможно Салерно); XI в.Италия. Салерно. Епархиальный музей (Museo Diocesano del Duomo di Salerno); 10.9 x 22 см.; кость; резьба по кости.
Рождество и бегство в Египет. Антепендиум алтаря Кафедрального Собора в Салерно. алтарная преграда Около 1084 Слоновая кость Высота 24 см Музей собора в Салерно.
Крещение Господне.Преображение Господне.Фрагмент антепендиума алтаря Кафедрального Собора в Салерно; Италия. Амальфи (возможно Салерно); XI в.; местонахождение: Италия. Салерно. Епархиальный музей (Museo Diocesano del Duomo di Salerno);11 x 22 см.кость; резьба по кости.

11th century Italy ivory

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Guelph Cross.Cross from the Guelph Treasure(Welfenschatz)Gold,silver gilt, gems, pearls,enamel,niello on wood core. Height without foot 15.5 cm, with foot 33.1 cm. Milan, workshop associated with Aribert of Antimiano, before 1045;central/south Italy, early 12th c.Berlin, Kunstgewerbemuseum, no. W1.Распятие Христово.Крест реликварий Вельфов из клада Вельфов (Guelph Treasure)Север Италии XIв. Германия. Берлин.Музей декоративно-прикладного искусства (KGM)12.5x33.1см.
Guelph Cross.Cross from the Guelph Treasure(Welfenschatz)Gold,silver gilt, gems, pearls,enamel,niello on wood core. Height without foot 15.5 cm, with foot 33.1 cm. Milan, workshop associated with Aribert of Antimiano,before 1045;central/south Italy, early 12th c.Berlin, Kunstgewerbemuseum, no.W1.Распятие Христово.Крест реликварий Вельфов из клада Вельфов (Guelph Treasure)Север Италии XIв. Германия. Берлин.Музей декоративно-прикладного искусства (KGM)12.5x33.1см.
Распятие Христово (Крышка Ставротеки). Св.царь Константин и царица Елена; Италия.Ломбардия; XI в.; Италия. Брешиа. Новый Собор (Duomo Nuovo);9.5x17.8 см.; дерево, металл серебро; гравировка (резьба), золочение, ковка, чеканка.

11th century Italy metalwork

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11th c.Basilica di Sant' Ambrogio. Milan, Lombardy, Italy. Plan of Sant'Ambrogio. Encyclopædia Britannica Eleventh Edition, Vol. 2, Page 392.
11th cent.Basilica di Sant'Ambrogio.Milan,Lombardy, Italy. Campanile dei canonici.
XI Anonimo, Aquila ed Evangelista nel pulpito Milano, Basilica di Sant'Ambrogio Ricomposto nel XIII secolo con elementi di diversa estrazione, il pergamo ambrosiano presenta nell'aquila e nell'evangelista sottostante i suoi pezzi più antichi, forse dell'inizio dell'XI secolo, dove la forza e la terribilità che vistosamente si impongono a chi guarda, s'accompagnano a squisite finezze decorative, di evidente derivazione orientale.

Milan Basilica di Sant'Ambrogio Lombardy 11th c.

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c.1155.Basilica di San Michele Maggiore. Pavia. Lombardy.Italy.Right portal.West Facade.A history of architecture in Italy from the time of Constantine to the dawn of the renaissance (1901)
11th 12th c.1155 Basilica di San Michele Maggiore Pavia Lombardy Italy Ground plan of San Michele, Pavia
Pavia.San Michele.This church in Pavia has a large pediment spanning the entire façade, rendered in stone, richly sculpted on the façade, with deep arcades following the slope of its roofline.

Pavia Basilica di San Michele Maggiore Lombardy XI-XII s.

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Древо с орлом. Фрагмент парапета; Лангобарды. Северная Италия; XI в.; местонахождение: США. Балтимор. WAM (Walters Art Museum); 60.5 x 40.8 см.; материал: мрамор; техника: резьба по камню
Venice, S. Marco, Atrium, central door, detail: S. Mark and the donor, Leo da Molino. – (After Forlati / Forlati / Federici, Le porte)Venice in Byzantium: Migrating Art along the Venetian Routes in the Mediterranean (11th-15th Centuries) | Livia Bevilacqua - Academia.edu
Abbazia di San Giovanni in Venere. Fossacesia (Chieti) Monastery of St.John dates back to the VIII c.The current buildings derive from the reconstruction works that took place in the XI and in particular in the XII c.(1165) under the guidance of Abbot Oderisius II. On the sides of the piedritti and in the bezel are placed rich sculptures dating back to 1230.

Religious architecture Italy 11th c.

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990-1036.Teodaldo of Canossa (bishop) Medieval music.Guido of Arezzo.Guido d'Arezzo studying the monochord with Bishop Theobald.XIIe siècle. Codex Lat. 51 f°35v XIe Vienne,Oesterreichische Nationalbibliothek Musiksammlung.
Conrad II, Holy Roman Emperor. the German Emperor supported by Boniface of Tuscany.In exchange, Conrad put Boniface on the throne of Tuscany.12th-cent.Vita Mathildis di Donizone. Vatican.Codex Vat.lat.4922 (completetd in 1115 AD) Walk to Canossa.House of Canossa.
c.985-6.05.1052.Boniface III of Tuscany. Bonifacius of Canossa. 12th-c.Vita Mathildis di Donizone. Vatican.Codex Vat.4922(completetd in 1115 AD) House of Canossa.Бонифаций происх.из знатн.и богат.лангобардского рода,получивш.назв. Каносского по замку,построен.его родоначальником Зигфридом ок.940. Традиционно датой рожд.Бонифация указыв-ся 985,без каких-л.документ.подтверждений.В так.случае получается,что его дочь Матильда род-сь,когда отцу был 61 год,что не совсем логично для того времени.

Rulers 11th century Italy

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Проповедь апостола Петра. Нартекс 1095 Мозаика Церковь Сан Пьетро аль Монте в Чивате Город Комо.
At the time of Nilus,Calabria was a Byzantine possession.In 1439 Bessarion of Trebizond, Bishop of Nicaea&a trusted adviser to Byzantine Emperor John VIII,was appointed cardinal by Pope Eugenius IV in the frame of an attempt to unify the Greek and Roman churches.In 1462 he became abbot commendatario of Grottaferrata.Changes were made at that time&in the following centuries to the interior of the church,but some features such as the baptismal font and the Cosmati pavement were not affected.
Abside - Arcangelo committente o Sant'Anastasio e parte del trono Basilica di Sant'Elia - Castel Sant'Elia Viterbo, Lazio, Italy The apse was entirely frescoed around 1000.The church originates from a monastery founded here in 520 by Anastasius, a notary in the Roman court. In the early 11th century the abbot Elia built here a basilica which was mentioned, among the others, by Pope Gregory VII in 1176 and by Innocent III in 1211.

Sacred 11th century Italy

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11th c. Basilica abbazia di San Miniato al Monte (St.Minias on the Mountain) Florence Tuscany Italy.Фасад датируется 1063,по некот.источникам,к выполнению его приступили только ок.1090.Замечательна, прежде всего,св.местоположением на горе(«аль Монте»),возвышающейся за рекой Арно на южн.окраине города.План предельно прост:три нефа без трансепта с единств.полукруглой апсидой.Но по украшенности снаружи Сан Миниато имеет себе мало равных среди романских храмов всей Италии.
11th c. Basilica abbazia di San Miniato al Monte (St.Minias on the Mountain) Florence Tuscany central Italy.Двухъярусн.фасад, стиснутый с обеих сторон более поздними строениями (справа-епископский дв-ц), облицован белым,чёрным и зелёным мрамором.Нижний ярус расчленён пятью арками на колоннах коринфского типа. В средней и крайних арках-бронзовые двери в прямоугольных обрамлениях.
San Miniato al Monte (St. Minias on the Mountain) is a basilica in Florence, central Italy, standing atop one of the highest points in the city.There is an adjoining Olivetan monastery, seen to the right of the basilica when ascending the stairs.

San Miniato al Monte Florence

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11th Basilica di Santa Maria Assunta e San Sigismondo, Rivolta d'Adda. Cremona. Lombardy Italy by kristobalite
11th Basilica di Santa Maria Assunta e San Sigismondo, Rivolta d'Adda. Cremona. Lombardy Italy by kristobalite
11th Basilica di Santa Maria Assunta e San Sigismondo, Rivolta d'Adda. Cremona. Lombardy Italy by kristobalite

Santa Maria Assunta e San Sigismondo Rivolta d'Adda Cremona

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10th-11th Basilica of Sant'Eufemia Spoleto Perugia, Umbria, Italy. His current architectural style refers to the X or the XI century,when in Spoleto maestri scalpellini worked under the influence of colleagues lombardi (maestri comacini),combining forms of Romanesque Spoleto with the architectural experience of Lombardy.It is the only church in Umbria to possess high matronei.
Sant'Eufemia, Spoleto (Umbria) The Lombard history of Spoleto is best recorded architecturally in the church of Sant'Eufemia. Here, in the middle of Umbria, stands a twelfth-century church that serves as a text-book example of Northern Lombard design principles. The three tall apses that protrude from the east end of the building reveal its unique interior design. The west façade, at the entrance to the church, has a single central portal.
10th-11th Basilica of Sant'Eufemia Spoleto Perugia, Umbria, Italy. His current architectural style refers to the X or the XI century,when in Spoleto maestri scalpellini worked under the influence of colleagues lombardi (maestri comacini),combining forms of Romanesque Spoleto with the architectural experience of Lombardy.It is the only church in Umbria to possess high matronei.

Spoleto Basilica di Sant Eufemia Perugia Umbria

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