東京新店舗

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The Ultimate Color Playbook for Your NYC Industrial Loft
Edward George
Edward George 
Glenn Ligon, Waiting for the Barbarians, 2021 at the Portals exhibition in Athens
The building has been undergoing intensive renovation for the last year, with rooms that were once a hive of industrial activity now devoted to art exhibitions. Dating back to 1930, and last used as a tobacco factory in the mid-90s, the building offers over 6,000-sq-m of ‘cultural space’ – which includes a vast interior courtyard topped with the new glass atrium. Photo: Glenn Ligon, Waiting for the Barbarians, 2021. Photography: Natalia Tsoukala, courtesy NEON #athens #art #museum #design
studio mute turns an old box factory into a flexible workplace in seoul
studio mute turns an old box factory into a flexible workplace in seoul
Glenn Ligon, Waiting for the Barbarians, 2021 at the Portals exhibition in Athens
The building has been undergoing intensive renovation for the last year, with rooms that were once a hive of industrial activity now devoted to art exhibitions. Dating back to 1930, and last used as a tobacco factory in the mid-90s, the building offers over 6,000-sq-m of ‘cultural space’ – which includes a vast interior courtyard topped with the new glass atrium. Photo: Glenn Ligon, Waiting for the Barbarians, 2021. Photography: Natalia Tsoukala, courtesy NEON #athens #art #museum #design