“If I can't dance - I don't want to be part of your revolution” About ‘to discompose’, Emily Roysdon. The idea is a tool for Roysdon, one she is working through in a series of performances. She uses it in relation to site& performance, social spaces, institutions& collaboration. Roysdon is also working through what she calls ‘minor theatre’, &which denotes her interest to invest in staging the relationship of audience and text, while trying to “build a structure for people to be alive…

“If I can't dance - I don't want to be part of your revolution” About ‘to discompose’, Emily Roysdon. The idea is a tool for Roysdon, one she is working through in a series of performances. She uses it in relation to site& performance, social spaces, institutions& collaboration. Roysdon is also working through what she calls ‘minor theatre’, &which denotes her interest to invest in staging the relationship of audience and text, while trying to “build a structure for people to be alive…

Tracey Emin - Everyone I Have Ever Slept With- about lovers, family, and the two children she had aborted.

Tracey Emin - Everyone I Have Ever Slept With- about lovers, family, and the two children she had aborted.

VB48.008.DR, Palazzo Ducale, Genoa by Vanessa Beecroft

VB48.008.DR, Palazzo Ducale, Genoa by Vanessa Beecroft

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