Valerija Kudrjavceva

Valerija Kudrjavceva

Valerija Kudrjavceva
More ideas from Valerija
Japanese photographer Shinichi Maruyama has an interesting series of photos simply titled, “Nude.” Each image shows an abstract flesh-colored shape that’s created by a nude subject dancing in front of the camera. Although the photographs look like long-exposure shots, they’re actually composite images created by combining ten thousand individual photographs of each dancer. The result is a look in which each model’s body is (mostly) lost within the blur of its movement.

Japanese photographer Shinichi Maruyama has an interesting series of photos simply titled, “Nude.” Each image shows an abstract flesh-colored shape that’s created by a nude subject dancing in front of the camera. Although the photographs look like long-exposure shots, they’re actually composite images created by combining ten thousand individual photographs of each dancer. The result is a look in which each model’s body is (mostly) lost within the blur of its movement.

Los Angeles based photographer Nicholas Alan Cope, whose superb book, Whitewash, we featured last year, has again grabbed our attention with another superb photographic series, Vedas. A collaborative project with fellow photographer and designer Dustin Edward Arnold, Vedas — meaning knowledge in Sanskrit — marked their move into fashion imagery through photographing sculptural garments of their own design, and to challenge ideas of what is acceptable against what is possible.

Los Angeles based photographer Nicholas Alan Cope, whose superb book, Whitewash, we featured last year, has again grabbed our attention with another superb photographic series, Vedas. A collaborative project with fellow photographer and designer Dustin Edward Arnold, Vedas — meaning knowledge in Sanskrit — marked their move into fashion imagery through photographing sculptural garments of their own design, and to challenge ideas of what is acceptable against what is possible.

Los Angeles based photographer Nicholas Alan Cope, whose superb book, Whitewash, we featured last year, has again grabbed our attention with another superb photographic series, Vedas. A collaborative project with fellow photographer and designer Dustin Edward Arnold, Vedas — meaning knowledge in Sanskrit — marked their move into fashion imagery through photographing sculptural garments of their own design, and to challenge ideas of what is acceptable against what is possible.

Los Angeles based photographer Nicholas Alan Cope, whose superb book, Whitewash, we featured last year, has again grabbed our attention with another superb photographic series, Vedas. A collaborative project with fellow photographer and designer Dustin Edward Arnold, Vedas — meaning knowledge in Sanskrit — marked their move into fashion imagery through photographing sculptural garments of their own design, and to challenge ideas of what is acceptable against what is possible.