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Winslow Homer (American, 1836–1910). Thanksgiving Day in the Army – After Dinner: The Wish-Bone – Drawn by Winslow Homer (from Harper's Weekly, Vol. VIII), December 3, 1864. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1928 (29.88.6(4))

Winslow Homer (American, 1836–1910). Thanksgiving Day in the Army – After Dinner: The Wish-Bone – Drawn by Winslow Homer (from Harper's Weekly, Vol. VIII), December 3, 1864. The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1928 (29.88.6(4))

Edgar Degas (French, 1834–1917). At the Milliner's, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002 (1997.391.1) #paris

Edgar Degas (French, 1834–1917). At the Milliner's, 1881. The Metropolitan Museum of Art, New York. The Walter H. and Leonore Annenberg Collection, Gift of Walter H. and Leonore Annenberg, 1997, Bequest of Walter H. Annenberg, 2002 (1997.391.1) #paris

Berthe Morisot (French, 1841–1895). Young Woman Seated on a Sofa, ca. 1879. The Metropolitan Museum of Art, New York. Partial and Promised Gift of Mr. and Mrs. Douglas Dillon, 1992 (1992.103.2) #paris

Berthe Morisot (French, 1841–1895). Young Woman Seated on a Sofa, ca. 1879. The Metropolitan Museum of Art, New York. Partial and Promised Gift of Mr. and Mrs. Douglas Dillon, 1992 (1992.103.2) #paris

Follower of Rembrandt (Dutch, third quarter 17th century). Portrait of a Man ("The Auctioneer"), probably ca. 1658–62. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 (14.40.624) #mustache #movember

Follower of Rembrandt (Dutch, third quarter 17th century). Portrait of a Man ("The Auctioneer"), probably ca. 1658–62. The Metropolitan Museum of Art, New York. Bequest of Benjamin Altman, 1913 (14.40.624) #mustache #movember

Charles Angrand (French, 1854–1926). Self–Portrait, 1892. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.566) | Charles Angrand was a visible presence in the Parisian avant-garde in the late 1880s and early 1890s. Here he presents himself, not at all as an artist, but as a bourgeois dandy, impeccably dressed and smoking a small cigar.

Charles Angrand (French, 1854–1926). Self–Portrait, 1892. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.566) | Charles Angrand was a visible presence in the Parisian avant-garde in the late 1880s and early 1890s. Here he presents himself, not at all as an artist, but as a bourgeois dandy, impeccably dressed and smoking a small cigar.

See details of works in the collection related to “Aged” on our “One Met. Many Worlds.” interactive feature. | El Greco (Domenikos Theotokopoulos) (Greek,  1540/41–1614). Cardinal Fernando Niño de Guevara (1541–1609) (detail), ca. 1600–1604. The Metropolitan Museum of Art New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.5) #OneMetManyWorlds

See details of works in the collection related to “Aged” on our “One Met. Many Worlds.” interactive feature. | El Greco (Domenikos Theotokopoulos) (Greek, 1540/41–1614). Cardinal Fernando Niño de Guevara (1541–1609) (detail), ca. 1600–1604. The Metropolitan Museum of Art New York. H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.5) #OneMetManyWorlds

Paul Cézanne (French, 1839–1906). Still Life with Jar, Cup, and Apples, ca. 1877. The Metropolitan Museum of Art, New York.H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.66)

Paul Cézanne (French, 1839–1906). Still Life with Jar, Cup, and Apples, ca. 1877. The Metropolitan Museum of Art, New York.H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929 (29.100.66)

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