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It is the lappet LACE of Vu~aranshen'nu early 18th century. Design with a rolling freely by large representation of the scroll and rocaille is characteristic.

It is the lappet LACE of Vu~aranshen'nu early 18th century. Design with a rolling freely by large representation of the scroll and rocaille is characteristic.

18th Century Gentlemans Frock Coat, wool, CT9001, long silk waistcoat available separately. Brass effect floral button used with this coat.

18th Century Gentlemans Frock Coat, wool, CT9001, long silk waistcoat available separately. Brass effect floral button used with this coat.

Eighteenth-century unbleached linen shirt. The chest slit was rolled and hemmed and depending on the depth of the opening, may have had a single button and buttonhole.

A Shirt Tale

Eighteenth-century unbleached linen shirt. The chest slit was rolled and hemmed and depending on the depth of the opening, may have had a single button and buttonhole.

Isabella MacTavish’s Wedding Dress c1785. Fraser clan tartan. Inverness Museum.  The cloth itself is probably considerably older than the dress, and possibly dates to 1740 - 1760.  Women -- Clothing & dress -- 1700-1799 -- Scotland. 18th century Scottish costume. Worn continuously by the women of the family for  wedding until 2007

Isabella MacTavish’s Wedding Dress c1785. Fraser clan tartan. Inverness Museum. The cloth itself is probably considerably older than the dress, and possibly dates to 1740 - 1760. Women -- Clothing & dress -- 1700-1799 -- Scotland. 18th century Scottish costume. Worn continuously by the women of the family for wedding until 2007

Wendy and Peter Blakeman knew what was needed to transform a dilapidated cottage into a welcoming home: neutral paints, vintage finds and a lot of DIY

Wendy and Peter Blakeman knew what was needed to transform a dilapidated cottage into a welcoming home: neutral paints, vintage finds and a lot of DIY

The eighteenth century monied male was often a peacock, eager to display his taste and wealth, and fond of lavishly decorated or patterned fabrics, and bright striking colours. The usual outfit remained the three piece suit of coat, waistcoat and breeches until 1800, when trousers began to replace breeches. Fashionable suits were usually plain woollen facecloth for practical urban or rural wear; woven silks for more formal evening occasions; and highly trimmed and embroidered silk satins and…

The eighteenth century monied male was often a peacock, eager to display his taste and wealth, and fond of lavishly decorated or patterned fabrics, and bright striking colours. The usual outfit remained the three piece suit of coat, waistcoat and breeches until 1800, when trousers began to replace breeches. Fashionable suits were usually plain woollen facecloth for practical urban or rural wear; woven silks for more formal evening occasions; and highly trimmed and embroidered silk satins and…

18th century inspired stays made by Madame Sher. | Pre-Victorian Bodies and Stays

18th century inspired stays made by Madame Sher. | Pre-Victorian Bodies and Stays

Fashion 18th Century ball gown dress ensemble costume circa from 1752-1775. Made from very fine silk, lace and trim with embroidered small flower floral pattern in off white woven into the pale blue background.

Fashion 18th Century ball gown dress ensemble costume circa from 1752-1775. Made from very fine silk, lace and trim with embroidered small flower floral pattern in off white woven into the pale blue background.

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