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(9) Frontal de São Quirico e Santa Julita (Museu de Arte da Catalunha, Barcelona). A pintura românica não se destacou tanto quando a arquitetura nesse período. Geralmente, as pinturas eram feitas nas paredes e tinham função didática. Como a grande maioria da população era analfabeta, a pintura era utilizada para transmitir os ensinamentos cristãos.

(9) Frontal de São Quirico e Santa Julita (Museu de Arte da Catalunha, Barcelona). A pintura românica não se destacou tanto quando a arquitetura nesse período. Geralmente, as pinturas eram feitas nas paredes e tinham função didática. Como a grande maioria da população era analfabeta, a pintura era utilizada para transmitir os ensinamentos cristãos.

Virgin of San Clemente de Tahull ~ 1123 ~ Romanesque painter ~ Catalan fresco ~ National Art Museum of Catalonia (MNAC) ~ Barcelona.

Virgin of San Clemente de Tahull ~ 1123 ~ Romanesque painter ~ Catalan fresco ~ National Art Museum of Catalonia (MNAC) ~ Barcelona.

Decoración pictórica del sepulcro de Sancho Sánchez Carrillo y su esposa, procedentes de la iglesia de San Andrés de Mahamud (Burgos, 1295). Anunciación, Natividad, Dormición y Coronación de la Virgen (Gótico lineal)

Decoración pictórica del sepulcro de Sancho Sánchez Carrillo y su esposa, procedentes de la iglesia de San Andrés de Mahamud (Burgos, 1295). Anunciación, Natividad, Dormición y Coronación de la Virgen (Gótico lineal)

Absis de Sant Climent de Taüll | Museu Nacional d'Art de Catalunya

Absis de Sant Climent de Taüll | Museu Nacional d'Art de Catalunya

EARLY MEDIEVAL AND ROMANESQUE #4 - Christ in Majesty/ Unknown/ 1123/ Painted on the apse of the Church of San Climent, Taull, Catalunya, Spain/ Museu Nacional d'Art de Catalunya, Spain/

EARLY MEDIEVAL AND ROMANESQUE #4 - Christ in Majesty/ Unknown/ 1123/ Painted on the apse of the Church of San Climent, Taull, Catalunya, Spain/ Museu Nacional d'Art de Catalunya, Spain/

It is an image during the 16 century and it is a image of Jesus and his 12 disciples learning the teachings of jesus

It is an image during the 16 century and it is a image of Jesus and his 12 disciples learning the teachings of jesus

ROMANESQUE - MANUSCRIPT ILLUMINATION - St. John the Evangelist, from the Gospel Book of Abbot Wedricus - Shortly before 1147 - Societe Archeologique et Historique - Rope-like loops of drapery - Byzantine style. Precisely controlled contours unite varied elements. Interlacing patterns - Dark Ages influence. Dove- Holy Spirit symbol - in hand of God - above John. His symbol - the eagle - to the left. Donor of manuscript - holds ink well - to the right.  LOCATION: AVESNES-SUR-HELPE, FRANCE

ROMANESQUE - MANUSCRIPT ILLUMINATION - St. John the Evangelist, from the Gospel Book of Abbot Wedricus - Shortly before 1147 - Societe Archeologique et Historique - Rope-like loops of drapery - Byzantine style. Precisely controlled contours unite varied elements. Interlacing patterns - Dark Ages influence. Dove- Holy Spirit symbol - in hand of God - above John. His symbol - the eagle - to the left. Donor of manuscript - holds ink well - to the right. LOCATION: AVESNES-SUR-HELPE, FRANCE

Altar frontal from the Church of Saint Martin, Chia, Spain, depicting Saint Martin of Tours and four scenes from his life, 1150-1200 (temper...

Altar frontal from the Church of Saint Martin, Chia, Spain, depicting Saint Martin of Tours and four scenes from his life, 1150-1200 (temper...

um 1260, Wormser Tafeln, Hl. Diakon. Darmstadt, Hessisches Landesmuseum

um 1260, Wormser Tafeln, Hl. Diakon. Darmstadt, Hessisches Landesmuseum

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