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The Storm. NYU Graduate Acting, Fifth Floor Theater. Scenic design by Brett J. Banakis.

The Storm. NYU Graduate Acting, Fifth Floor Theater. Scenic design by Brett J. Banakis.

A Midsummer Nights Dream opera. Jayme Mellema scenic design for The Princeton Festival.

A Midsummer Nights Dream opera. Jayme Mellema scenic design for The Princeton Festival.

•Rufus Didwiszus• A great idea for minimalistic and tall spaces. Great use of contrast.

•Rufus Didwiszus• A great idea for minimalistic and tall spaces. Great use of contrast.

Elektra at the Teatro Real de Madrid (shared with Teatro San Carlo, Naples). Production by Klaus-Michael Grüber. Sets  costumes by Anselm Kiefer.

Elektra at the Teatro Real de Madrid (shared with Teatro San Carlo, Naples). Production by Klaus-Michael Grüber. Sets costumes by Anselm Kiefer.

Bob Crowley's set designs have been the backdrop for some of the biggest theatrical hits to grace the West End and Broadway.

Behind the scenes: Bob Crowley's set designs have wowed audiences the world over

Bob Crowley's set designs have been the backdrop for some of the biggest theatrical hits to grace the West End and Broadway.

Sarah Lamb as Alice, and Jonathan Howells in Alice’s Adventures in Wonderland © Johan Persson/ROH 2011 by Royal Opera House Covent Garden, via Flickr

Sarah Lamb as Alice, and Jonathan Howells in Alice’s Adventures in Wonderland © Johan Persson/ROH 2011 by Royal Opera House Covent Garden, via Flickr

WOW - What an amazing depth David Hockney achieved here!  I love the tree which feels traditional but has an abstract leaf structure. The lighting design is spectacular as well. Tristan and Isolde set, designed by David Hockney, Los Angeles, 1987 - Opera

WOW - What an amazing depth David Hockney achieved here! I love the tree which feels traditional but has an abstract leaf structure. The lighting design is spectacular as well. Tristan and Isolde set, designed by David Hockney, Los Angeles, 1987 - Opera

Just an example of how perspective painting can be used in this play for set design. The set will be extremely minimal, with only a few chairs. However, the painting in the back will be large and elaborate of the palace --AR

Just an example of how perspective painting can be used in this play for set design. The set will be extremely minimal, with only a few chairs. However, the painting in the back will be large and elaborate of the palace --AR

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