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歌川国貞 作品名:「東都高名会席尽」「仲麿」 :一部に広重のサインあり(^.^)

歌川国貞 作品名:「東都高名会席尽」「仲麿」 :一部に広重のサインあり(^.^)

歌川国貞: 「六玉川彩絵乃姿鏡」 - 立命館大学

歌川国貞: 「六玉川彩絵乃姿鏡」 - 立命館大学

歌川広重(Utagawa Hiroshige 1797ー1858)「名所江戸百景 両国花火」

歌川広重(Utagawa Hiroshige 1797ー1858)「名所江戸百景 両国花火」

歌川国貞| 百人一首:光孝天皇の歌| 日本| 江戸時代(1615年から1868年)| 三代目豊国(本画像では2代目豊国号)

歌川国貞| 百人一首:光孝天皇の歌| 日本| 江戸時代(1615年から1868年)| 三代目豊国(本画像では2代目豊国号)

【江戸の悪】歌川国貞(三代豊国)「東都贔屓競 清玄桜姫」。歌舞伎の清玄桜姫物には、桜姫に執心し堕落する僧清玄が登場します。いわばストーカーとも言える清玄は、桜姫の部下に殺され、亡霊となってなお桜姫の前に現れます。[悪人度:★★☆☆☆]

【江戸の悪】歌川国貞(三代豊国)「東都贔屓競 清玄桜姫」。歌舞伎の清玄桜姫物には、桜姫に執心し堕落する僧清玄が登場します。いわばストーカーとも言える清玄は、桜姫の部下に殺され、亡霊となってなお桜姫の前に現れます。[悪人度:★★☆☆☆]

Attributed to Torii Kiyonaga (Japanese, 1752–1815). Three Girls on a Riverbank, early 19th century. The Metropolitan Museum of Art, New York. The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 (36.100.46).

Attributed to Torii Kiyonaga (Japanese, 1752–1815). Three Girls on a Riverbank, early 19th century. The Metropolitan Museum of Art, New York. The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 (36.100.46).

Tsuta Spa, Mutsu - 1919 Kawase Hasui(川瀬巴水)

Tsuta Spa, Mutsu - 1919 Kawase Hasui(川瀬巴水)

Torii Kiyonaga (Japanese, 1742–1815). The Iris Garden, ca. 1784. Japan. The Metropolitan Museum of Art, New York. Fletcher Fund, 1929 (JP1513) #iris #flower

Torii Kiyonaga (Japanese, 1742–1815). The Iris Garden, ca. 1784. Japan. The Metropolitan Museum of Art, New York. Fletcher Fund, 1929 (JP1513) #iris #flower

Katsushika Hokusai (Japanese, 1760–1849). Chinese Boys Learning to Write and Paint, ca. 1785. The Metropolitan Museum of Art, New York. The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 (JP743)

Katsushika Hokusai (Japanese, 1760–1849). Chinese Boys Learning to Write and Paint, ca. 1785. The Metropolitan Museum of Art, New York. The Francis Lathrop Collection, Purchase, Frederick C. Hewitt Fund, 1911 (JP743)

Suzuki Harunobu (Japanese, 1725–1770). Onna San no Miya (the Third Princess), 1768–70. The Metropolitan Museum of Art, New York. The H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyeyer, 1929 (JP1638) |  On a spring day, her cat ran outside, swinging open the bamboo blind and revealing the young nobles playing ball in the garden. #cat

Suzuki Harunobu (Japanese, 1725–1770). Onna San no Miya (the Third Princess), 1768–70. The Metropolitan Museum of Art, New York. The H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyeyer, 1929 (JP1638) | On a spring day, her cat ran outside, swinging open the bamboo blind and revealing the young nobles playing ball in the garden. #cat

Suzuki Harunobu (Japanese, 1725–1770). Lovers Walking in the Snow (Crow and Heron), 1764–72. Edo period (1615–1868). Japan. The Metropolitan Museum of Art, New York. The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 (JP2453)

Suzuki Harunobu (Japanese, 1725–1770). Lovers Walking in the Snow (Crow and Heron), 1764–72. Edo period (1615–1868). Japan. The Metropolitan Museum of Art, New York. The Howard Mansfield Collection, Purchase, Rogers Fund, 1936 (JP2453)