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سر المتشردة ماري في فيلم «سيدة الفان» on سينماتوغراف http://cinematographmag.com

سر المتشردة ماري في فيلم «سيدة الفان» on سينماتوغراف http://cinematographmag.com

Jordan Cronenweth #BladeRunner director of photography on #lighting the film: "The character and consequently the lighting of the street was achieved through the use of dozens of #neon signs... In order to achieve a photographic reality the on-camera neons were often on dimmers set at a level just above where they would start to flicker. At the same time the off-camera neons were used as the primary source of light whenever possible by leaving them at their brightest level. When the existing…

Jordan Cronenweth #BladeRunner director of photography on #lighting the film: "The character and consequently the lighting of the street was achieved through the use of dozens of #neon signs... In order to achieve a photographic reality the on-camera neons were often on dimmers set at a level just above where they would start to flicker. At the same time the off-camera neons were used as the primary source of light whenever possible by leaving them at their brightest level. When the existing…

Specs & The City: Female Characters and… Pretty Much Every Movie Ever

Specs & The City: Female Characters and... Pretty Much Every Movie Ever

Specs & The City: Female Characters and… Pretty Much Every Movie Ever

Below are images from "SPIDER-MAN" , the 2002 adaptation of Marvel Comics' superhero.  Directed by Sam Rami, the movie starred Tobey Ma...

Below are images from "SPIDER-MAN" , the 2002 adaptation of Marvel Comics' superhero. Directed by Sam Rami, the movie starred Tobey Ma...

..notice the all seeing eye in the window design..Count Olaf confronts his young charges.  AMC notes that the tale’s melancholy tone dictated the visual approach: “We tried to convey this [tone] in a lot of ways, including a very subjective use of the camera, which always conveys the children’s state of mind. While the characters around the children are very funny, they’re also somewhat scary, so [the tone is] a balance of comedy and tragedy.” American Cinematographer Image Viewer

..notice the all seeing eye in the window design..Count Olaf confronts his young charges. AMC notes that the tale’s melancholy tone dictated the visual approach: “We tried to convey this [tone] in a lot of ways, including a very subjective use of the camera, which always conveys the children’s state of mind. While the characters around the children are very funny, they’re also somewhat scary, so [the tone is] a balance of comedy and tragedy.” American Cinematographer Image Viewer

<p>The film posters of Jordan Bolton celebrate the objects and film characters of some of the most iconic movie titles. Meticulously constructed, the photographer recreates the ambience of each film u

Jordan Bolton’s Film Posters Celebrate The Spirit Of Our Favourite Movies

<p>The film posters of Jordan Bolton celebrate the objects and film characters of some of the most iconic movie titles. Meticulously constructed, the photographer recreates the ambience of each film u

“No matter what movie I’m doing, I try to act like there is no camera,”  says Keaton. “But it was made extra hard in this movie because you have to know where the camera  is, because you gotta help out the cinematographer. Everything had to be word-perfect and cue-perfect.” Photo by Brigitte Lacombe

“No matter what movie I’m doing, I try to act like there is no camera,” says Keaton. “But it was made extra hard in this movie because you have to know where the camera is, because you gotta help out the cinematographer. Everything had to be word-perfect and cue-perfect.” Photo by Brigitte Lacombe

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