Explore Iv 1653, 1653 1657 and more!

Explore related topics

Eduoard Manet: Berthe Morisot reclining (1873) http://1.bp.blogspot.com/-yd9d0GO0tOs/UiJQ9s2YLwI/AAAAAAAACVk/RK3Y3u8qrNc/s1600/Manet_portraitofberthemorisot.jpg (Thx seulete)

Eduoard Manet: Berthe Morisot reclining (1873) http://1.bp.blogspot.com/-yd9d0GO0tOs/UiJQ9s2YLwI/AAAAAAAACVk/RK3Y3u8qrNc/s1600/Manet_portraitofberthemorisot.jpg (Thx seulete)

Frank Waller (American, 1842–1923). Interior View of the Metropolitan Museum of Art when in Fourteenth Street, 1881. The Metropolitan Museum of Art, New York. Purchase, 1895 (95.29) #newyork #nyc

Frank Waller (American, 1842–1923). Interior View of the Metropolitan Museum of Art when in Fourteenth Street, 1881. The Metropolitan Museum of Art, New York. Purchase, 1895 (95.29) #newyork #nyc

Marie Victoire Lemoine (French, 1754–1820). The Interior of an Atelier of a Woman Painter, 1796. The Metropolitan Museum of Art, New York. Gift of Mrs. Thorneycroft Ryle, 1957 (57.103) | The most important exhibitions in eighteenth-century Paris were the Salons, in general held every other year, and open only to artists associated with the Académie Royale de Peinture et de Sculpture. #paris

Marie Victoire Lemoine (French, 1754–1820). The Interior of an Atelier of a Woman Painter, 1796. The Metropolitan Museum of Art, New York. Gift of Mrs. Thorneycroft Ryle, 1957 (57.103) | The most important exhibitions in eighteenth-century Paris were the Salons, in general held every other year, and open only to artists associated with the Académie Royale de Peinture et de Sculpture. #paris

Giovanni Battista Tiepolo (Italian, 1696–1770). The Triumph of Marius, 1729. The Metropolitan Museum of Art, New York./ The subject of this triumphal procession is identified by the Latin inscription at the top of the painting, from the Roman historian Lucius Anneus Florus: "The people of Rome behold Jugurtha laden with chains".

Giovanni Battista Tiepolo (Italian, 1696–1770). The Triumph of Marius, 1729. The Metropolitan Museum of Art, New York./ The subject of this triumphal procession is identified by the Latin inscription at the top of the painting, from the Roman historian Lucius Anneus Florus: "The people of Rome behold Jugurtha laden with chains".

Pinterest
Search