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Textil @ DigitaltMuseum.se

Textil @ DigitaltMuseum.se

Kleermaker, Gillis van Scheyndel (I), Salomon Savery, 1638

Kleermaker, Gillis van Scheyndel (I), Salomon Savery, 1638

By (after) Adriaen Pietersz. Van De Venne, this is probably 17th? but it is fun

By (after) Adriaen Pietersz. Van De Venne, this is probably 17th? but it is fun

"Never any cash, always torn trousers" -- from the Mendel album, Nurnberg, GNM Hs 121659, f.113v, entry dated Amberg, 1625 -- here scanned from Kurras, "Zu gutem gedenken" (Munchen, 1987). -- for meaning of the label, "Nunquam pargelt, semper zrissen hosssen" SEE PREVIOUS

"Never any cash, always torn trousers" -- from the Mendel album, Nurnberg, GNM Hs 121659, f.113v, entry dated Amberg, 1625 -- here scanned from Kurras, "Zu gutem gedenken" (Munchen, 1987). -- for meaning of the label, "Nunquam pargelt, semper zrissen hosssen" SEE PREVIOUS

"The London Quaker", 'The Cryes of the City of London Drawne after the Life', c. 1688.

"The London Quaker", 'The Cryes of the City of London Drawne after the Life', c. 1688.

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970 AD, Mammen, Denmark. Fragments interpreted as the decorative ends of a cloak fastening band. Purple silk, stuffed with blue wool. Tablet braid in silk, gold and silver thread.  Decorative panel in needlebinding with gold and silver thread.

970 AD, Mammen, Denmark. Fragments interpreted as the decorative ends of a cloak fastening band. Purple silk, stuffed with blue wool. Tablet braid in silk, gold and silver thread. Decorative panel in needlebinding with gold and silver thread.

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