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MXL V67Q Stereo Condenser Microphone - Plug this stereo microphone into your two-channel audio interface to capture the spacious stereo image of a live performance. Custom XLR cables are included.

MXL V67Q Stereo Condenser Microphone - Plug this stereo microphone into your two-channel audio interface to capture the spacious stereo image of a live performance. Custom XLR cables are included.

Audio-Technica BP4025 X/Y Stereo Field Recording Microphone - Get superior X/Y stereo sound in a compact, low profile housing with the BP4025 from Audio-Technica.

Audio-Technica BP4025 X/Y Stereo Field Recording Microphone - Get superior X/Y stereo sound in a compact, low profile housing with the BP4025 from Audio-Technica.

SNARE DRUM, GUITAR AMP and SCRATCH VOCALS: We used the SM57 on several instruments. We had one on the snare (top), one on the rhythm guitar amp and another for the scratch vocal. Typically I would use a condenser on the vocal, even a scratch, but the whole band was in one room so this prevented lots of bleed.

SNARE DRUM, GUITAR AMP and SCRATCH VOCALS: We used the SM57 on several instruments. We had one on the snare (top), one on the rhythm guitar amp and another for the scratch vocal. Typically I would use a condenser on the vocal, even a scratch, but the whole band was in one room so this prevented lots of bleed.

Kit to build a vintage U-87i microphone. It includes our new elegant U-87 style body, PCB D-U87 by Poctop, a capsule V-K87 from Vintage Microphones®, a transformer Cinemag CM-13113 (T13 style) and all necessary components.

Kit to build a vintage U-87i microphone. It includes our new elegant U-87 style body, PCB D-U87 by Poctop, a capsule V-K87 from Vintage Microphones®, a transformer Cinemag CM-13113 (T13 style) and all necessary components.

The Shure SM57 microphone is perfect for close-miking loud guitar cabs, with its tailored frequency response and ability to handle high SPL (sound pressure level). In general, pointing the mic toward the outer edge of a speaker cone will yield a darker, fatter sound, while the cone's center will yield a brighter sound -- move your '57 around to find the "sweet spot" on your particular amp.

The Shure SM57 microphone is perfect for close-miking loud guitar cabs, with its tailored frequency response and ability to handle high SPL (sound pressure level). In general, pointing the mic toward the outer edge of a speaker cone will yield a darker, fatter sound, while the cone's center will yield a brighter sound -- move your '57 around to find the "sweet spot" on your particular amp.

Sennheiser XSW35A Handheld Microphone Wireless Vocal Set - Pick up this handheld wireless mic built with the famous Sennheiser e835 capsule. The SXW35A Vocal Set has everything you need for small venues or churches.

Sennheiser XSW35A Handheld Microphone Wireless Vocal Set - Pick up this handheld wireless mic built with the famous Sennheiser e835 capsule. The SXW35A Vocal Set has everything you need for small venues or churches.

Avantone CK-40 Large-Diaphragm Stereo Microphone - Three patterns, (cardioid, omni, and figure 8) a -10db pad and 80Hz high-pass filter make the Avantone CK-40 stereo mic an essential in any studio toolbox.

Avantone CK-40 Large-Diaphragm Stereo Microphone - Three patterns, (cardioid, omni, and figure 8) a -10db pad and 80Hz high-pass filter make the Avantone CK-40 stereo mic an essential in any studio toolbox.

Shure SM58 Dynamic Handheld Microphone, SM58 CN, with Tripod Boom Stand and Mic Cable: Get the legendary live sound of the Shure SM58 microphone. Famous for its warmth, clarity and durability, the SM58 is a favorite for musicians worldwide.

Shure SM58 Dynamic Handheld Microphone, SM58 CN, with Tripod Boom Stand and Mic Cable: Get the legendary live sound of the Shure SM58 microphone. Famous for its warmth, clarity and durability, the SM58 is a favorite for musicians worldwide.

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