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A Life in Words: Gig Ryan launches ‘Your Scratch Entourage’ by Kris Hemensley

A Life in Words: Gig Ryan launches ‘Your Scratch Entourage’ by Kris Hemensley

Woman Scream: Michele Seminara previews the Second Sydney International Women’s Poetry Festival

Woman Scream: Michele Seminara previews the Second Sydney International Women’s Poetry Festival

“A cacophony of art and story that ranges from the absurd to the downright terrifying”: Anna Forsyth reviews ‘The Apocalypse Awards’ by Nathan Curnow

“A cacophony of art and story that ranges from the absurd to the downright terrifying”: Anna Forsyth reviews ‘The Apocalypse Awards’ by Nathan Curnow

Writing is on the Wall for Arts Funding in Australia

Writing is on the Wall for Arts Funding in Australia

It takes time and patience to be a good detective”: Annette Marfording reviews Detective Work by John Dale

It takes time and patience to be a good detective”: Annette Marfording reviews Detective Work by John Dale

A Hummingbird Mind: Les Wicks reviews ‘Porch Light’ by Ivy Ireland

A Hummingbird Mind: Les Wicks reviews ‘Porch Light’ by Ivy Ireland

A Life Evolving: David O’Sullivan Reviews ‘First Things First, Selected Letters of Kate Llewellyn’

A Life Evolving: David O’Sullivan Reviews ‘First Things First, Selected Letters of Kate Llewellyn’

Adventurous, challenging and thoughtful: Paul Scully reviews ‘Our Lady of the Fence Post’ by J.H. Crone

Adventurous, challenging and thoughtful: Paul Scully reviews ‘Our Lady of the Fence Post’ by J.H. Crone

The Interplay of Tones and Images: Shane McCauley launches ‘Conversations I’ve Never Had’ by Caitlin Maling

The Interplay of Tones and Images: Shane McCauley launches ‘Conversations I’ve Never Had’ by Caitlin Maling

A Portrait of the Artist as Place: Joe Dolce Reviews ‘Bluewren Cantos’ by Mark Tredinnick

A Portrait of the Artist as Place: Joe Dolce Reviews ‘Bluewren Cantos’ by Mark Tredinnick

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