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Although these are very basic photographs, it shows the importance of angle. Simply by positioning the person and the camera a cetain way it brings out sections of the body larger and these two photos work very well with an unusual and unrealistic element.
“Impermanence” is a series of portraits by Korean photographer and microbiologist Seung-Hwan Oh who drowns his films camera before using them, into a cultivation of fungus mushrooms. The bacterias devour the film for an abstract and destroyed result. A beautiful way to mistreat a film and to rebel against the perfect and idealized pictures we see everywhere nowadays.
Banksy pulled off an audacious stunt to produce what is believed to be his biggest work yet in central London. The secretive graffiti artist managed to erect three storeys of scaffolding behind a security fence despite being watched by a CCTV camera. (Banksy, 2008)