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Love by Keith Haring  Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war. Haring's work was often heavily political and his imagery has become a widely recognized visual language of the 20th century.

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Love by Keith Haring Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war. Haring's work was often heavily political and his imagery has become a widely recognized visual language of the 20th century.

Grace Jones dont le corps a été peint par Keith Haring (artiste de street art) en 1984. Photo de Robert Mapplethorpe (1946) photographe américain célèbre pour ses portraits en noir et blanc très stylisés, ses photos de fleurs et ses nus masculins.

Grace Jones dont le corps a été peint par Keith Haring (artiste de street art) en 1984. Photo de Robert Mapplethorpe (1946) photographe américain célèbre pour ses portraits en noir et blanc très stylisés, ses photos de fleurs et ses nus masculins.

“Tuttomondo”, Church of San Antonio in Pisa - Keith Haring's last public project (1990)

“Tuttomondo”, Church of San Antonio in Pisa - Keith Haring's last public project (1990)

Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war.[1] Haring's work was often heavily political[2] and his imagery has become a widely recognized visual language of the 20th century.[3]

Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war.[1] Haring's work was often heavily political[2] and his imagery has become a widely recognized visual language of the 20th century.[3]

Tseng Kwong Chi, Keith Haring, Brooklyn Academy of Music, Nueva York, 1985, impresión Chromogenic, impreso 2014

Tseng Kwong Chi, Keith Haring, Brooklyn Academy of Music, Nueva York, 1985, impresión Chromogenic, impreso 2014

"I don't know much about love. But I think it should melt glaciers, make new worlds out of words, heal old wounds and start new revolutions. If it doesn't, show me what does, and I will call it home. "

"I don't know much about love. But I think it should melt glaciers, make new worlds out of words, heal old wounds and start new revolutions. If it doesn't, show me what does, and I will call it home. "

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