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The Silos Beatus Codex  Commentary on the Apocalypse by Beatus of Liébana, Spain, 1090-1109AD British Library Add. MS 11695. f.102v The Four Horsemen of the Apocalypse

The Silos Beatus Codex Commentary on the Apocalypse by Beatus of Liébana, Spain, 1090-1109AD British Library Add. MS 11695. f.102v The Four Horsemen of the Apocalypse

Illustration from the Roda Bible, c.1050-1100AD  Biblia Sancti Petri Rodensis. Ms Latin 6 (4) folio 106r  Four Horsemen of the Apocalyse

Illustration from the Roda Bible, c.1050-1100AD Biblia Sancti Petri Rodensis. Ms Latin 6 (4) folio 106r Four Horsemen of the Apocalyse

Illustration from the Roda Bible, c.1050-1100AD  Biblia Sancti Petri Rodensis. Ms Latin 6 (4) folio 106r  Four Horsemen of the Apocalyse

Illustration from the Roda Bible, c.1050-1100AD Biblia Sancti Petri Rodensis. Ms Latin 6 (4) folio 106r Four Horsemen of the Apocalyse

The Four Horsemen of the Apocalypse, El Burgo de Osma Beatus Codex, Beatus of Liébana, Spain

The Four Horsemen of the Apocalypse, El Burgo de Osma Beatus Codex, Beatus of Liébana, Spain

Four Horsemen of the Apocalypse, Saint-Sever Beatus, 11th century.

Four Horsemen of the Apocalypse, Saint-Sever Beatus, 11th century.

Los Cuatro Jinetes del Apocalipsis. Beato de la Universidad de Valladolid del siglo X.  Los manuscritos iluminados españoles de los Ss. X-XI ilustraron el Comentario del Apocalipsis del Beato de Liébana en el año 786. Los ilustradores mozárabes muestran un mundo de ultratumba con formas conceptuales y geométricos, compuesto por franjas de colores de fuego. Estos pudieron inspirar los bestiarios de la escultura románica. Las visiones apocalípticas tb aparecen en tapices y vidrieras.

Los Cuatro Jinetes del Apocalipsis. Beato de la Universidad de Valladolid del siglo X. Los manuscritos iluminados españoles de los Ss. X-XI ilustraron el Comentario del Apocalipsis del Beato de Liébana en el año 786. Los ilustradores mozárabes muestran un mundo de ultratumba con formas conceptuales y geométricos, compuesto por franjas de colores de fuego. Estos pudieron inspirar los bestiarios de la escultura románica. Las visiones apocalípticas tb aparecen en tapices y vidrieras.

Casket. Sicilian or Southern Italian, ca. 1200-1225. Wooden casket covered with ivory panels. Brass and tempera. In front two figures of hunters and birds, painted in outline and gilded. With gilt metal mounts. Tesoro della Carttedrale di San Andrea a Veroli.

Casket. Sicilian or Southern Italian, ca. 1200-1225. Wooden casket covered with ivory panels. Brass and tempera. In front two figures of hunters and birds, painted in outline and gilded. With gilt metal mounts. Tesoro della Carttedrale di San Andrea a Veroli.

Detail of the horsemen in The Life of St Alessio in the Church of San Clemente, Rome, Italy, 11th Century

Detail of the horsemen in The Life of St Alessio in the Church of San Clemente, Rome, Italy, 11th Century

The Terra Cotta Warriors and Horses are the most significant archeological excavations of the 20th century. Work is ongoing at this site, which is around 1.5 kilometers east of Emperor Qin Shi Huang's Mausoleum, Lintong County, Shaanxi province. It is a sight not to be missed by any visitor to China.The Terra cotta Warriors is a category of ancient tomb sculpture. The Terra Cotta Warriors that is made of clay (chariots and horsemen, soldiers) the shape of the casualties.

The Terra Cotta Warriors and Horses are the most significant archeological excavations of the 20th century. Work is ongoing at this site, which is around 1.5 kilometers east of Emperor Qin Shi Huang's Mausoleum, Lintong County, Shaanxi province. It is a sight not to be missed by any visitor to China.The Terra cotta Warriors is a category of ancient tomb sculpture. The Terra Cotta Warriors that is made of clay (chariots and horsemen, soldiers) the shape of the casualties.

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