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cinqfruits:  Fabric, sphere and Nokia 8210 / picture by Mathieu Missiaen / Sculpture by Julien Morin and Stephane Perrier / shot at upper EASt Studio

cinqfruits: Fabric, sphere and Nokia 8210 / picture by Mathieu Missiaen / Sculpture by Julien Morin and Stephane Perrier / shot at upper EASt Studio

Eyeballs hiddne in roses, by artists Maurizio Cattelan & Pierpaolo Ferrari. More images here: http://www.dazeddigital.com/artsandculture/article/19565/1/provocation-is-in-the-eye-of-the-beholder

Provocation is in the eye of the beholder

Eyeballs hiddne in roses, by artists Maurizio Cattelan & Pierpaolo Ferrari. More images here: http://www.dazeddigital.com/artsandculture/article/19565/1/provocation-is-in-the-eye-of-the-beholder

Silver | 銀 | Plata | Gin | Argento | Cеребро | Argent | Metal | Chrome | Metallic | Colour | Texture | Pattern | Style | Design | Composition | Photography |  foil

Silver | 銀 | Plata | Gin | Argento | Cеребро | Argent | Metal | Chrome | Metallic | Colour | Texture | Pattern | Style | Design | Composition | Photography | foil

SeaShore Picture by Mathieu MISSIAEN / Style by Morgane Nicolas / Hair and makeup by Juan Romero / Model by Theo at SUCCESS and Sabine at NEXT

SeaShore Picture by Mathieu MISSIAEN / Style by Morgane Nicolas / Hair and makeup by Juan Romero / Model by Theo at SUCCESS and Sabine at NEXT

.:* L - In his installation, reverse of volume RG, Yasuaki Onishi uses the simplest materials - plastic sheeting and black hot glue - to create a monumental, mountainous form that appears to float in space. The process that he calls “casting the invisible” involves draping the plastic sheeting over stacked cardboard boxes, which are then removed to leave only their impressions. This process of reversing sculpture is Onishi’s meditation on the nature of the negative space, or void, left…

.:* L - In his installation, reverse of volume RG, Yasuaki Onishi uses the simplest materials - plastic sheeting and black hot glue - to create a monumental, mountainous form that appears to float in space. The process that he calls “casting the invisible” involves draping the plastic sheeting over stacked cardboard boxes, which are then removed to leave only their impressions. This process of reversing sculpture is Onishi’s meditation on the nature of the negative space, or void, left…

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