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AUGUSTE RODIN 1840 - 1917 MÉDÉE titled (towards lower left) ink, gouache, sepia over lead pencil and collage on paper 21.5 by 16.4cm., 8 1/2 by 6 1/2 in.

AUGUSTE RODIN 1840 - 1917 MÉDÉE titled (towards lower left) ink, gouache, sepia over lead pencil and collage on paper 21.5 by 16.4cm., 8 1/2 by 6 1/2 in.

Loïe Fuller: the electric fairy by Auguste Rodin In 1893, Loïe Fuller was saying,"Light is the art of tomorrow." That year, this cabaret dancer invented a scientific process that allowed her to place electric lamps... "The spectator is completely bewitched. Although there is only one or a few dancers on the stage, he believes he is seeing many of them in a rush of light."

Loïe Fuller: the electric fairy by Auguste Rodin In 1893, Loïe Fuller was saying,"Light is the art of tomorrow." That year, this cabaret dancer invented a scientific process that allowed her to place electric lamps... "The spectator is completely bewitched. Although there is only one or a few dancers on the stage, he believes he is seeing many of them in a rush of light."

Odilon Redon, French painter and pastelist (1840-1916). 'Portrait of the Son of Robert de Comecy' (c.1898) pastel

Odilon Redon, French painter and pastelist (1840-1916). 'Portrait of the Son of Robert de Comecy' (c.1898) pastel

Auguste Rodin (1840-1917), Celle qui fut la Belle Heaulmière [She who was once the helmet maker’s beautiful wife], 1889. Charcoal and stumping, 53.3 x 38.6 cm. Musée Rodin, Paris.

Auguste Rodin (1840-1917), Celle qui fut la Belle Heaulmière [She who was once the helmet maker’s beautiful wife], 1889. Charcoal and stumping, 53.3 x 38.6 cm. Musée Rodin, Paris.

Jan Van Eyck (Flemish, 1390-1441). The Fall of Phaethon, 1636-38. Museo del Prado, Madrid

Jan Van Eyck (Flemish, 1390-1441). The Fall of Phaethon, 1636-38. Museo del Prado, Madrid

Henry Moore OM, CH ‘Studies for Sculpture: Two and Three Piece Reclining Figures’, 1967–71  © The Henry Moore Foundation, All Rights Reserved, DACS 2014

Henry Moore OM, CH ‘Studies for Sculpture: Two and Three Piece Reclining Figures’, 1967–71 © The Henry Moore Foundation, All Rights Reserved, DACS 2014

1380–1441 Jan Van Eyck, The Ghent Altarpiece: Angels Playing Music, 1426-27, Oil on wood, Cathedral of St Bavo, Ghent

1380–1441 Jan Van Eyck, The Ghent Altarpiece: Angels Playing Music, 1426-27, Oil on wood, Cathedral of St Bavo, Ghent

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