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Lari Pittman, This Landscape, beloved and despised, continues regardless, 1989, acrylic on mahogany panel, 72 × 60 inches. BOMB Magazine — Lari Pittman by David Pagel

Lari Pittman, This Landscape, beloved and despised, continues regardless, 1989, acrylic on mahogany panel, 72 × 60 inches. BOMB Magazine — Lari Pittman by David Pagel

fernand leger close up simplified self portraitAC 12 9-12 WEEK 2 CAPTURING CREATIVIY

fernand leger close up simplified self portraitAC 12 9-12 WEEK 2 CAPTURING CREATIVIY

Gallery For > Lari Pittman

Gallery For > Lari Pittman

ART & ARTISTS: Rose Wylie - part 1

ART & ARTISTS: Rose Wylie - part 1

Josephine kneels to be crowned by Napoleon, detail from Coronation of Napoleon in Notre-Dame | Jacques-Louis David. Second largest painting in the Louvre.

Josephine kneels to be crowned by Napoleon, detail from Coronation of Napoleon in Notre-Dame | Jacques-Louis David. Second largest painting in the Louvre.

Tal R merges the stylised primitivism of the avant-garde with his own contemporary lexicon of suburban culture. Inspired by the psychedelia of 60’s album covers, Tal R’s Cream 13 portrays all the accoutrements of rock and roll sin with a ham-fisted approximation of Picasso. Use of low art materials, such as biro pen and cut and paste, lends a degenerate feel to this high art reference, trapping the drawing between teenage doodle and masterpiece.

Tal R merges the stylised primitivism of the avant-garde with his own contemporary lexicon of suburban culture. Inspired by the psychedelia of 60’s album covers, Tal R’s Cream 13 portrays all the accoutrements of rock and roll sin with a ham-fisted approximation of Picasso. Use of low art materials, such as biro pen and cut and paste, lends a degenerate feel to this high art reference, trapping the drawing between teenage doodle and masterpiece.

Tracking Frank Stella’s Restless Migrations (From Painting and Beyond) - NYTimes.com

Tracking Frank Stella’s Restless Migrations (From Painting and Beyond)

Tracking Frank Stella’s Restless Migrations (From Painting and Beyond) - NYTimes.com

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