Explore Horse In Art, Art I Love and more!

Explore related topics

Künstler Details

Künstler Details

Henri de Toulouse-Lautrec (French, 1864–1901). At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), 1899. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.731) | The grand master of urban entertainments, Henri de Toulouse-Lautrec made many paintings and drawings on the circus theme in the late 1880s and 1890s, just as his popularity as a commercial artist soared. #horses

Henri de Toulouse-Lautrec (French, 1864–1901). At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), 1899. The Metropolitan Museum of Art, New York. Robert Lehman Collection, 1975 (1975.1.731) | The grand master of urban entertainments, Henri de Toulouse-Lautrec made many paintings and drawings on the circus theme in the late 1880s and 1890s, just as his popularity as a commercial artist soared. #horses

Edward Penfield (American, 1866–1925). HARPER'S / MARCH, 1899. The Metropolitan Museum of Art, New York. Leonard A. Lauder Collection of American Posters, Gift of Leonard A. Lauder, 1984 (1984.1202.115) #horses

Edward Penfield (American, 1866–1925). HARPER'S / MARCH, 1899. The Metropolitan Museum of Art, New York. Leonard A. Lauder Collection of American Posters, Gift of Leonard A. Lauder, 1984 (1984.1202.115) #horses

Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares, ca. 1635. Fletcher Fund, 1952 (52.125) | In full armor and holding a baton, the Count-Duke of Olivares is shown as a victorious commander. His horse holds a dressage position known as a levade. #horses

Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, 1599–1660). Don Gaspar de Guzmán (1587–1645), Count-Duke of Olivares, ca. 1635. Fletcher Fund, 1952 (52.125) | In full armor and holding a baton, the Count-Duke of Olivares is shown as a victorious commander. His horse holds a dressage position known as a levade. #horses

Horace Vernet (French, 1789–1863). The Start of the Race of the Riderless Horses, 1820. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (87.15.47) | Races of riderless horses were a highlight of Rome’s Carnival, held each February before Lent. #horses

Horace Vernet (French, 1789–1863). The Start of the Race of the Riderless Horses, 1820. The Metropolitan Museum of Art, New York. Catharine Lorillard Wolfe Collection, Bequest of Catharine Lorillard Wolfe, 1887 (87.15.47) | Races of riderless horses were a highlight of Rome’s Carnival, held each February before Lent. #horses

Bronze statuette of a horse, late 2nd-1st century B.C. Greek. The Metropolitan Museum of Art, New York. Fletcher Fund, 1923 (23.69) | When this bronze horse was first acquired in 1923, its austere majesty led to its identification as an Early Classical masterpiece of the fifth century B.C. #horses

Bronze statuette of a horse, late 2nd-1st century B.C. Greek. The Metropolitan Museum of Art, New York. Fletcher Fund, 1923 (23.69) | When this bronze horse was first acquired in 1923, its austere majesty led to its identification as an Early Classical masterpiece of the fifth century B.C. #horses

Pinterest • The world’s catalogue of ideas
Search