Melinda Gibson's series 'The Photograph as Contemporary Art' adheres to this theory, quite literally. She 'sticks things together' – in this case, sliced-up images culled directly from the pages of Charlotte Cotton's seminal book, The Photograph as Contemporary Art, which has graced the reading lists of nearly every academic institution offering a degree in photography since its publication in 2004.

Melinda Gibson's series 'The Photograph as Contemporary Art' adheres to this theory, quite literally. She 'sticks things together' – in this case, sliced-up images culled directly from the pages of Charlotte Cotton's seminal book, The Photograph as Contemporary Art, which has graced the reading lists of nearly every academic institution offering a degree in photography since its publication in 2004.

I really like this photo, I think it looks really good and it's clever how the photographer has replaced the skin with photos of nature and still kept the clothing and hair in place to keep it in the outline of the model.

Victoria Siemer explores the idea of fractured landscapes through photo manipulations and collages.  Try your own with the Juxtaposer app: http://content.photojojo.com/tutorials/juxtaposer-the-best-layering-app/?utm_source=pinterest&utm_medium=social&utm_campaign=CAMPAIGN

Victoria Siemer explores the idea of fractured landscapes through photo manipulations and collages. Try your own with the Juxtaposer app: http://content.photojojo.com/tutorials/juxtaposer-the-best-layering-app/?utm_source=pinterest&utm_medium=social&utm_campaign=CAMPAIGN

Maria Aparicio… and friends. All of these pieces are collaborations with various photographers. They supply the stunning images, and she supplies the  embroidery.

Maria Aparicio… and friends. All of these pieces are collaborations with various photographers. They supply the stunning images, and she supplies the embroidery.

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