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Ai Weiwei, Souvenir from Shanghai, 2012, Zement- und Ziegelabfall vom zerstörten Atelier des Künstlers in Schanghai, in einem Holzrahmen, 380 x 170 x 260 cm, Ausstellungsansicht Royal Academy, London 2015, Foto: Alexandra Matzner.

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Ai Weiwei, Souvenir from Shanghai, 2012, Zement- und Ziegelabfall vom zerstörten Atelier des Künstlers in Schanghai, in einem Holzrahmen, 380 x 170 x 260 cm, Ausstellungsansicht Royal Academy, London 2015, Foto: Alexandra Matzner.

artinwords.de

Jimmie Durham A Staff To Mark The Center Of The World, 2004. Art Experience NYC www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

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frieze.com

Jimmie Durham at Fondazione Morra Greco. Art Experience NYC www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

Jimmie Durham at Fondazione Morra Greco

contemporaryartdaily.com

Jimmie Durham, "Cortez", 1991. Art Experience NYC www.artexperiencenyc.com/social_login/?utm_source=pinterest_medium=pins_content=pinterest_pins_campaign=pinterest_initial

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moussemagazine.it

Ai Weiwei iron wood (Tieli wood) from dismantled temples of the Qing Dynasty (1644-1911) and iron parallel bar

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artpropelled.tumblr.com

Compression d’ Auto-Mobile, 1962 • Famous for his assemblage art and innovative abstract sculpture, the French artist Cesar Baldaccini,(1921-1998) known simply as Cesar, was an active member of the Parisian world of avant-garde art during the 1950s and 1960s and France's best known sculptor of recent decades.

César Baldaccini: Son œuvre

cesarbaldaccini.blogspot.com

Ai Weiwei, Straight, 2008-2012 – Steel reinforcing bars 6x12m installation view, Disposition, Zuecca Project Space/Complesso delle Zitelle, Giudecca, Venice 2013.

AI WEIWEI | STRAIGHT (2013)

sornmagazine.com