Amy Judd | artsy forager I like Amy Judd's work because in all of them there's never a face being shown. I like her work because she always covers the faces with something unrelated but it stills works. This relates to disguise because you can't see her face

Amy Judd | artsy forager I like Amy Judd's work because in all of them there's never a face being shown. I like her work because she always covers the faces with something unrelated but it stills works. This relates to disguise because you can't see her face

'This Thing Called Art is Really Dangerous' by Agnes Cecile - Fine Art Prints available exclusively at Eyes On Walls -http://www.eyesonwalls.com/collections/agnes-cecile?utm_source=pinterest&utm_medium=ads&utm_content=This%20Thing%20&utm_campaign=Agnes%20Cecile

'This Thing Called Art is Really Dangerous' by Agnes Cecile - Fine Art Prints available exclusively at Eyes On Walls -http://www.eyesonwalls.com/collections/agnes-cecile?utm_source=pinterest&utm_medium=ads&utm_content=This%20Thing%20&utm_campaign=Agnes%20Cecile

“Love this saying "To look life in the face, always, to look life in the face, and to know it for what it is... at last, to love it for what it is, and then, to put it away...” ― Virginia Woolf

Enchanting Japanese poster art strikes a perfect balance...

Enchanting Japanese poster art strikes a perfect balance...

“I know a 'face' where the wild thyme blows, Where oxlips and the nodding violet grows, Quite over-canopied with luscious woodbine, With sweet musk-roses and with eglantine.” William Shakespeare, A Midsummer Night's Dream } Yasutomo Ebisu

Magazine - The Digital Glamour of Marcelo Monreal

Magazine - The Digital Glamour of Marcelo Monreal

“I know a 'face' where the wild thyme blows, Where oxlips and the nodding violet grows, Quite over-canopied with luscious woodbine, With sweet musk-roses and with eglantine.” William Shakespeare, A Midsummer Night's Dream More

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