Bildinis Raoul Hausmann ( Portrait of Raoul Hausmann ), Conrad Felixmüller

Bildinis Raoul Hausmann ( Portrait of Raoul Hausmann ), Conrad Felixmüller

Raoul HAUSMANN. Dada im gewöhnlichen Leben (DADA Cino), 1920. Collage et photomontage sur papier, 31.7 x 22.5, collection particulière

Raoul HAUSMANN. Dada im gewöhnlichen Leben (DADA Cino), 1920. Collage et photomontage sur papier, 31.7 x 22.5, collection particulière

Raoul Hausmann, Dada (Collage for the First International Dada Fair in Berlin), 1920

Raoul Hausmann, Dada (Collage for the First International Dada Fair in Berlin), 1920

Raoul Hausmann, Collage, papiers collés, 1921, Allemagne, Hambourg, Kunsthalle.

Raoul Hausmann, Collage, papiers collés, 1921, Allemagne, Hambourg, Kunsthalle.

Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.

Raoul Hausmann. The Art Critic 1919-20. Hausmann, a founder member of the Berlin Dada group, developed photomontage as a tool of satire and political protest. The fragment of a German banknote behind the critic’s neck suggests that he is controlled by capitalist forces. The words in the background are part of a poem poster made by Hausmann to be pasted on the walls of Berlin.

Raoul Hausmann, Dada (Collage for the First International Dada Fair in Berlin), 1920

Raoul Hausmann, Dada (Collage for the First International Dada Fair in Berlin), 1920

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