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EntrePicos / by Coco Roto  The reason why I selected this zine layout was because of the layout which is made up of a mixture of images, typography and little drawn diagrams.   I think this zine will help me because it will give more ideas on what sized photographs I should use, what type of text I could use and how I could include diagrams.

EntrePicos / by Coco Roto The reason why I selected this zine layout was because of the layout which is made up of a mixture of images, typography and little drawn diagrams. I think this zine will help me because it will give more ideas on what sized photographs I should use, what type of text I could use and how I could include diagrams.

Antonio Marras for Kenzo sketchbook work. Fabulously detailed fabric pattern & print drawings - fashion illustrations; developing a collection

Antonio Marras for Kenzo sketchbook work. Fabulously detailed fabric pattern & print drawings - fashion illustrations; developing a collection

This sequence of work (primarily Kate's A Level Art sketchbook pages) shows experimentation with media and the exploration of compositional ideas. Artist influences are chosen cleverly: seamlessly integrating with her own aesthetic.

This sequence of work (primarily Kate's A Level Art sketchbook pages) shows experimentation with media and the exploration of compositional ideas. Artist influences are chosen cleverly: seamlessly integrating with her own aesthetic.

Fashion Textiles Sketchbook richly illustrated with mixed media obsevational paintings + design research, fabric interpretations and fashion design development

Fashion Textiles Sketchbook richly illustrated with mixed media obsevational paintings + design research, fabric interpretations and fashion design development

These sketchbook pages are the unequivocal result of effort, passion and enthusiasm. Although 'decoration' is usually unnecessary within a textile or fashion design sketchbook, in this case, the background patterning demonstrates a complete understanding of the aesthetic; a strong personal response to the colours, shapes, textures, lines and forms of the work studied.

These sketchbook pages are the unequivocal result of effort, passion and enthusiasm. Although 'decoration' is usually unnecessary within a textile or fashion design sketchbook, in this case, the background patterning demonstrates a complete understanding of the aesthetic; a strong personal response to the colours, shapes, textures, lines and forms of the work studied.