Sybil andrews

Lumberjacks in check-patterned shirts at a coffee bar, seen from behind. 1952 Colour linocut from 4 blocks (yellow ochre, red, light cobalt blue, black), on cream oriental laid paper Trial proof no. 1 (ed.60)

What a cracking image! Sleek and modernistic. Very 1930's. It's called Whence and Whither - a great title to boot! - and was produced by Cyril E, for Edward, Power in 1930. (He had a son called Cyril A, for Arthur, Power hence the need for the middle name letter). Cyril Power, born in Chelsea in London in 1872, was a

Works by Sybil Andrews: Anno Domini, 1970 , Ploughing Pasture, 1955 , Pilate: Station I, 1953 , In Manus Tuas Domini: Station XII, 1951 , Market Day, 1936 , Storm, 1935 , Speedway, 1934 , Joseph and Nicodemus, 1932 , The Captive, 1932 , Steeplechasing, 1930 , The Winch, 1930...

British-born Canadian artist Sybil Andrews (1898-1992) produced these incredible modernist linocuts. The Gale , 1930. no 36/50. From the bo...

Sybil Andrews used painting and linocut printmaking to combine pastoral life with the dynamism of modernity. Futurism, Cubism and Vorticism were her major influences.

The home of wonderful blank art greeting cards, fine art prints and art gifts. Select cards by artist or by subject. Our selection includes some of the finest artists from the twentieth century including Eric Ravilious, Paul Nash, Cyril Power and Sybil Andrews as well as contemporary artists including printmakers such as Angie Lewin, Mark Hearld, Emily Sutton, Paul Catherall and Paul Cleden. We are proud of the range available online and in the gallery.

During the Interwar years in Great Britain, Claude Flight and his students at the Grosvenor School of Modern Art in London sought to create a new visual language suitable to the dynamic, if not frenetic, energy of their modern age. Flight believed the colour linoleum cut print to be the ideal vehicle for this new mode of expression, as it was unencumbered by the tradition and history of more established printing processes. His two most successful students, Sybil Andrews and Cyril Edward…

For a brief period between the wars, the Grosvenor School in Pimlico was the site of a printmaking revolution, writes Florence Hallett

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Faith Eckersall previews a major exhibition of some very modern art of the 1920s and 1930s