Kara walker art

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silhouettes of people and animals on a white wall

Kara Walker operates on the premise that when you make history truly visible, both your own and that of your people or nation, there exists a challenge to show all of it, the unholy mix, the conscious knowledge and the subconscious reaction, the traumatic history and the trauma it has created, the unprocessed and the unprocessable.

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a black and white photo of a woman's head with a hat on it

Kara Walker. savant from An Unpeopled Land in Uncharted Waters. 2010. One from a series of six etching and aquatints. plate: 24 x 13 7/8" (61 x 35.2 cm); sheet: 30 1/4 x 17 7/8" (76.8 x 45.4 cm). Sikkema Jenkins & Co., New York. Gregory Burnet, New York. Committee on Prints and Illustrated Books Fund. 950.2010.3. © 2025 Kara Walker. Series. Drawings & Prints

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a black and white silhouette of a woman on fire

Figure 2. Kara Walker, Burn, 1998. Cut paper on wall. 92 x 48 inches (233.7 x 121.9 cm) © Kara Walker, courtesy of Sikkema Jenkins & Co., New York. - "Disgust in Silhouette: Toni Morrison, Kara Walker, and the Aesthetics of Violence"

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black and white photograph of people silhouetted against a wall

My Complement, My Enemy, My Oppressor, My Love, the first full-scale American museum survey of the work of artist Kara Walker, features works ranging from her signature black cut-paper silhouettes to film animations to more than 100 works on paper.

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a drawing of a woman with birds on her head

Kara Walker began this sketchbook in Munich in 1999, when she was 29 years old. Like most sketchbooks it served as a portal between the real world and the realm of her imagination. Although it was never intended to be shared, nevertheless quite a bit of work came out of this particular book, ...

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