Antoine watteau

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Hollosy, Simon (1857-1918) - 1899 The Rakoczi March (Hungarian National Gallery, Budapest) Antoine Watteau, Jean Antoine Watteau, Rococo Painting, Academic Style, French Pictures, Rococo Art, Art Eras, French Paintings, Paintings I Love

Oil on canvas; 92 x 127 cm. Painter, one of the greatest Hungarian representatives of 19th century naturalism and realism. Hollósy, who came from an Armenian family in Máramarossziget, learnt to paint in Budapest and Munich where he painted "Corn Husking" in 1885, which brought him success in Hungary and abroad. He criticized training at the Academy and founded a private school in 1886 where he gathered young talents around him who were interested in realistic protrayal. He opened the way to…

Antoine Watteau (Valenciennes 1684-1721 Nogent-sur-Marne) | 'Retour de Chasse': Portrait of Marie-Louise Sirois (1698-1725), full-length, with two dogs, a musket, hunting bag and game in a landscape Antoine Watteau, Jean Antoine Watteau, Paul Rubens, Francisco Goya, Peter Paul Rubens, History Painting, Louvre Museum, Oil Painting Reproductions, Handmade Oil

`Retour de Chasse': Portrait of Marie-Louise Sirois (1698-1725), full-length, with two dogs, a musket, hunting bag and game in a landscape

Detail: Fêtes Vénitiennes is a 1719 painting by Jean Antoine Watteau, now in the Scottish National Gallery in Edinburgh, to which it was bequeathed in 1861 by Lady Murray of Henderland, widow of John Murray, Lord Murray. It takes its title from a 1732 engraving of the work by Laurent Cars and is derived from the Venetian styles of dress and dancing shown in the work, the former inspired by the commedia dell'arte. It belongs to the fêtes galantes genre created by Watteau. French Rococo Art, Antoine Watteau, Jean Antoine Watteau, Rococo Painting, Jean Honore Fragonard, Rococo Art, 18th Century Paintings, Famous Pictures, 18th Century Fashion

Detail: Fêtes Vénitiennes is a 1719 painting by Jean Antoine Watteau, now in the Scottish National Gallery in Edinburgh, to which it was bequeathed in 1861 by Lady Murray of Henderland, widow of John Murray, Lord Murray. It takes its title from a 1732 engraving of the work by Laurent Cars and is derived from the Venetian styles of dress and dancing shown in the work, the former inspired by the commedia dell'arte. It belongs to the fêtes galantes genre created by Watteau.

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