Florian Gadsby
Pictures of my present and past work—you might find uploads here that I haven't posted on Instagram before.
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How to Throw a Narrow Pottery Vase
They are tricky objects to make, clay thrown so narrowly likes to buckle and twist and really distributing the clay evenly can be exceedingly troublesome. Hence why I tend to throw them a bit thick and then turn them down, which also negates the horror which is wafer thin cylinders bending to one side as they dry out unevenly. These are thrown from 400 grams.
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Florian Gadsby on Instagram: "New stamps, porcelain maker’s marks, some I’ll use, others were made simply for demonstrative purposes for my YouTube video that shows how they’re carved. The rest of the photographs in this series show how they were glazed, stuffed, head down in a lump of wadding to support it during the firing. Then there’s the porcelain marks, freshly carved and finally stamped into a block of clay. I test them as I’m carving, making sure I only impress the leather hard mark…
Florian Gadsby on Instagram: "Base to base and rim to rim, coffee cups stacked, all of which are now boxed up and ready to be shipped out. The last hurdle remains though, which is entering in everyone's details into the shipping forms, a process that is painful due to how much I concentrate as I tap them in. It looks like there are delays in the services within the UK, so parcels won't be sent out quite as quickly as I would have liked but with any luck everything will be shipped off…
Florian Gadsby on Instagram: "The same medium bowl, one just glazed and tidied up, ready for the kiln, and the other, now dark green, has been reduction fired in my gas kiln to cone ten, (1290ºc). Cleaning glazed pots will be all I do this week, both on my feet and sat down, depending on the size of pot, how tired my hands get and simply to change things up to stop monotony from really taking over. The sponging, fettling hand isn’t the one that gets weary, rather it’s the one that grips the…
Florian Gadsby on Instagram: "Stacked bowls, small ones this time, each thrown from half a pound of stoneware clay, 226 grams, and trimmed to just about half that, that might sound nice and light but thereafter the thick glaze goes on, which certainly adds back to the featherlight form. I spent today glazing dozens of these, amongst other forms, I clasp them tightly between tongs, but not too tightly as they will crack and break if squeezed too hard, then they’re dunked, removed from the…
Florian Gadsby on Instagram: "The lid of a jar unpacked from my gas kiln this morning. Originally this was a lidded container I didn’t particularly like, as the glaze was under fired a little dull, so, I coated the entire pot in a thick layer of iron ochre and reduction fired it a second time, resulting in this rather magnificent, almost planet like surface. From some angles it shimmers like a mirror and from others it’s rich and red, like an ancient rusted treasure. I’m hoping to scale this…