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Florian Gadsby on Instagram: "Stacked bowls, small ones this time, each thrown from half a pound of stoneware clay, 226 grams, and trimmed to just about half that, that might sound nice and light but thereafter the thick glaze goes on, which certainly adds back to the featherlight form. I spent today glazing dozens of these, amongst other forms, I clasp them tightly between tongs, but not too tightly as they will crack and break if squeezed too hard, then they’re dunked, removed from the glaze,
Florian Gadsby on Instagram: "Stacked wares, balanced rather securely thanks to all the flat-topped lids found in my work. Happy Friday to you all, I enjoyed assembling this totem of pots and it has given me a few ideas about presenting work, although actually displaying it like this, whilst interesting, is highly impractical. Unless is a very secure case where nobody can touch it. Each pot is coated with the same, two percent red iron oxide feldspathic crackle glaze that’s heavily reduction fi
Florian Gadsby on Instagram: "Trimming porcelain is an entirely different experience as compared to trimming the stoneware I normally work with. It’s incredible what a tiny amount of grog, the coarse particles that are mixed into the stoneware, can do. It provides some feedback, a haptic response to pressing the turning blades into the clay and I find I miss that immensely. Nonetheless, I do always get used to it, and I can reach a finesse with porcelain that’s just unfeasible to do with stonewa
