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Lighting tutorial on the differences the placement of lights has on the perception of character to audience.

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All parts of this design have been created so that the audience can see each aspect of the stage. The color pallet used is very calming, which for someone starring at it for a couple of hours would be a blessing. The range of tone stops any piece from disappearing into the background.

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Metamorphosis. Scenic Design by Philip Engleheart.

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"The Old Man and the Old Moon" at Writer's Theatre! Have never seen this play, but what an AMAZING set!

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Sense and Sensibility (Chicago Shakespeare Theatre) Set Design by Kevin Depinet -- I love the burry, spotted yellow lights following up the stairs, makes it seem mystical and enlightening

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designlightsnsets: glutanddecadence: “The... - Everything Scenic

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The vision for LX 30- somewhat unrealistic. but shadows in the background. LS 31 front light as well.

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Artist Journal, Carbon Obscura, Lloyd Godman

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In a Dark Dark House | Year: 2008 Designer: Lez Brotherston Venue: Almeida Theatre

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Emil and the Detectives. National Theatre. Designer - Bunny Christie. Projection and Animation design by 59 Productions.

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