"The Old Man and the Old Moon" at Writer's Theatre!  Have never seen this play, but what an AMAZING set!

"The Old Man and the Old Moon" at Writer's Theatre! Have never seen this play, but what an AMAZING set!

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The vision for LX 30- somewhat unrealistic. but shadows in the background. LS 31 front light as well.

The vision for LX 30- somewhat unrealistic. but shadows in the background. LS 31 front light as well.

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Butoh, Dance of the Dark Soul,It typically involves playful and grotesque imagery, taboo topics, extreme or absurd environments, and is traditionally performed in white body makeup with slow hyper-controlled motion, with or without an audience.

Butoh, Dance of the Dark Soul,It typically involves playful and grotesque imagery, taboo topics, extreme or absurd environments, and is traditionally performed in white body makeup with slow hyper-controlled motion, with or without an audience.

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Butoh performance by Ximena Garnica; stage design by Shige Moriya by Asian Art Museum, via Flickr
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My youngest son treated me to a night at the opera for my 60th birthday - amazing night watching Tosca - loved it!

My youngest son treated me to a night at the opera for my 60th birthday - amazing night watching Tosca - loved it!

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From the performance art "Melons (at a loss)" (1998), by Patty Chang. Exploration of gender through the study and practice of performance art.

From the performance art "Melons (at a loss)" (1998), by Patty Chang. Exploration of gender through the study and practice of performance art.

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designlightsnsets: glutanddecadence: “The... - Everything Scenic
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Acting Tips Poster. Click to download a printable version. This could also go for a teacher;)
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Scale again.     These performers are on stilts (no. we are NOT doing that)    If they were sicillian? Maybe? I feel like the learning curve for the performers would be too big. The more they can directly connect to the puppet the better.     each puppet here is the length of the performer's torso. This is about the size I'd like to play with

Scale again. These performers are on stilts (no. we are NOT doing that) If they were sicillian? Maybe? I feel like the learning curve for the performers would be too big. The more they can directly connect to the puppet the better. each puppet here is the length of the performer's torso. This is about the size I'd like to play with

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