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BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

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BRAZIL: PHOTOGRAPHY: HEITOR MAGNO In this series of portraits and double exposure self-portraits, Heitor uses glitch art and pixelation to convey emotions unknown. By interfering with the image and identity, what’s left is a void—an image of what is oppressed and corrupted. In totality this is a reflection of the collective, anonymous and unstable internet cultural identity. Find Heitor and MP on Facebook here and here.

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from illusion.scene360.com

Are We Addicted to the Internet?

Artist Maurice Mbikayi explores the effects of technology on identity and history, as well as how it has impacted Africa both positively and negatively. His art combines recycled materials such as old keyboard parts to telephone cords

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from The Creators Project

Un shooting mode à rallonge

Gilber Franco - #digitalglitch www.behance.net/Gilber

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from Orwellwasright's Weblog

Jenny Saville: Flesh

Jenny Saville Good read: Meagher's article, "Jenny Saville and a Feminist Aesthetics of Disgust" I was drawn to the gestures and fluidity of skin. Could be interesting gestures for my IWP.

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from The Sun

Body tissue is a work of art

Lisa Nilsson's rolled up paper art!!!! AWESOME. Wowsers - this is cool.

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The Creation of... the Internet. This is a great example of using new media to reinterpret familiar paintings.

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