'Is not a collection of images; it is a social relation between people that is mediated by images.' Guy Debord, ‘Society of the Spectacle’ The spectacle

Mémoires (Memories) is an artist's book made by the Danish artist Asger Jorn in collaboration with the French artist and theorist Guy Debord. Printed in 1959, it is the second of two collaborative books by the two men whilst they were both members of the Situationist International.

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P. 9: The supreme "separation", the separation that affects relational channels, represents the final stage in the transformation to the "Society of the Spectacle" as described by Guy Debord. This is a society where human relations are no longer "directly experienced", but start to become blurred in their "spectacular" representation.

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