A fonte de Duchamp (1917). "Quando Marcel Duchamp desloca objetos de seus contextos cotidianos e os coloca no contexto da galeria e do museu, conforme a proposta do readymade, é a esfera da arte da tradição ocidental que se encontra em questão, investida como é de um caráter sagrado e dotado de valor de culto." Leia mais em: http://incinerrante.com/arte-e-profanacao/

Arte e profanação

A fonte de Duchamp (1917). "Quando Marcel Duchamp desloca objetos de seus contextos cotidianos e os coloca no contexto da galeria e do museu, conforme a proposta do readymade, é a esfera da arte da tradição ocidental que se encontra em questão, investida como é de um caráter sagrado e dotado de valor de culto." Leia mais em: http://incinerrante.com/arte-e-profanacao/

#ART | Ai Weiwei | "Hanging Man (Duchamp)" (1985) | "when we discuss art today, the common language that links Western and non-Western cultures is the context of modern art history; the readymade"

#ART | Ai Weiwei | "Hanging Man (Duchamp)" (1985) | "when we discuss art today, the common language that links Western and non-Western cultures is the context of modern art history; the readymade"

Marcel Duchamp (1887 - 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Dadaism and conceptual art, although not directly associated with Dada groups.

Marcel Duchamp (1887 - 1968) was a French-American painter, sculptor, chess player, and writer whose work is associated with Dadaism and conceptual art, although not directly associated with Dada groups.

"Marcel Duchamp, arguably the most influential artist of the 20th Century!" Any arguments?

"Marcel Duchamp, arguably the most influential artist of the 20th Century!" Any arguments?

Irving Penn: Marcel Duchamp, New York, 1948. (Gelatin silver print, selenium toned)

Irving Penn’s Fantastic Corner Portraits of Cultural Icons

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