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Jasmina Ajzenkol = All pieces are hand built using stoneware body. I like contrast between rough and smooth, glazed and textured clay surfaces. I combine the contrasting techniques of layering, distressing the surface of pots by scratching and carving into clay, and burnishing to create a three-dimensional texture using a series of different levels and depths encouraging the eye to move in, rather than bounce away. These are enhanced by the subsequent use of oxides and glazes.

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1009904_10200499949764327_878233147_n.jpg 526×394 pixels

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bubbles in underglaze. Emma Alington I WANT TO TRY THIS SO BAD

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Steve Irvine - how to apply gold leaf to pottery

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What other materials could I do this with...great surface to gild or paint or stain?... Michael Sherrill, NC ceramicist

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Charlotte! For you. Ceramics how to: create a realistic mouth with clay.

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Chris Hawkins :: Hand thrown raku fired fumed copper matt bottles

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Ceramic Arts Daily – How to Handbuild a Hexagonal Jar Using a Template

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Ceramic Arts Daily – How to Handbuild a Hexagonal Jar Using a Template

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Use wet pipe cleaner to clear holes from glaze to prevent clogging

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