Innovation

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INLAID SKIN : ANDREEA MANDRESCU: The inlaid pieces, due to their flexibility and ease in manipulation, can be attached and wrapped around the body. The colour and the translucent quality of the material used can give the illusion of an ‘inlaid’ skin as the surface of the accessory becomes almost one with the skin, or a three dimensional extension of the skin.
Atmospheric Reentry | Otherworldly Headdresses by Maiko Takeda
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Atmospheric Reentry | Otherworldly Headdresses by Maiko Takeda
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Atmospheric Reentry | Otherworldly Headdresses by Maiko Takeda
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Inhabitat | Design For a Better World!
Clothing designers don’t have to limit themselves to fabric, needle, and thread. Royal College of Art textile student Jungeun Lee, for one, removes them from the equation altogether. To create her “Wrapped Garments,” Lee molds synthetic yarn around a form to create the desired silhouette—no cutting or sewing required. By applying heat (look Ma, no seams!), the tangled fibers fuse into three-dimensional wearable sculptures with clean lines, decisive shapes, and unexpected contours.
Atmospheric reentry by Maiko Takeda at Royal College of Art #fashion #art #technology
Maiko Takeda's Atmospheric Reentry
Maiko Takeda's Atmospheric Reentry | Trendland: Fashion Blog & Trend Magazine
Atmospheric reentry by Maiko Takeda at Royal College of Art #fashion #art #technology
Maiko Takeda rchitectural headpieces resemble porcupine quills, ostrich feathers and tiny iridescent fish scales, all artfully woven together with logic and geometry in mind. Their likeness to elements of the natural world are apt, too, as the pieces react strongly to the light, wind and colours of the environment they are worn in.