“…where the story really scores is in showing how dawns fresh promise gets broken – how individuals, at onetime poor and ‘simple’, get corrupted through money. The crescendo is a little…
Colour can be so powerful and we love the way Howard Hodgkin uses it in his paintings, creating a language all of their own. Despite their apparent spontan
Anselm Kiefer (German, b. 1945). Shulamite [Sulamith], 1983. Oil, emulsion, woodcut, shellac, acrylic, and straw on canvas. 213 x 145 in. (541 x 368.3 cm). Doris and Donald Fisher Collection at SFMOMA. Photo: Ian Reeves.
Joan Eardly - Boats on the shore
Utiliser le trait pour essayer de faire sortir des choses pesantes...
abstrakshun: Fabienne Verdier Sedes Sapientiae II -...
Robert Motherwell’s studio and home. Architecural Digest, 1984.
Penguin cover designs:1962, John Sewell
The Museum of Cathy by Anna Stothard review – a cabinet of dangerous memories | Books | The Guardian